There were no historical records of Homer, and no trustworthy biography of the man exists beyond a few self-referential hints embedded in the texts themselves.
除了作品中包含的一些自我参照的暗示之外，历史上没有关于荷马的记载，也没有该人的可靠传记。
I think literary texts are beautiful, powerful, tensile, but they're also very tough, and no amount of strong readings is going to destroy them or move them out of their path or anything like that.
我认为文学文本非常美丽，非常有力，也很有张力，但是也非常顽固，无论多么深入的阅读，都不会把它毁灭，也不会把它们推出原本的道路。
Deconstruction doesn't say texts have no meaning.
解构主义不是说文本没有意义。
No one knows who copied these ancient texts or how they got there.
没有人知道是谁复制了这些古老的书籍，以及它们为何流落至此。
There are also simply no string of myths and evil gods' names which you often find in the texts of Nag Hammadi.
同样也没有一系列在拿戈玛第文集中，经常会见到的神话和邪恶的神的名字。
I peeked into a couple of English usage texts and got no help. So I resorted to looking at examples.
我看了几句英文用法，但是毫无帮助。所以我转而去看例子。
I peeked into a couple of English usage texts and got no help.
我看了几句英文用法，但是毫无帮助。
There will be no more books because we will be able to get all texts from computers.
在未来，也不会有更多的书籍，因为我们可以通过计算机得到。
That's not at all the same thing as to say, according to the claim of Knapp and Michaels, that in deconstructive thinking texts have no meaning -a very, very different proposition altogether.
根据Knapp和Michaels的观点，那并不是说，在解构主义思维中，作品没有意义，总的来说是一个非常非常不同立场。
I disagree with the doctrine that the writer's life and intention have no bearing on his texts.
我不同意作者的生活和意图与他的文本没有联系的学说。
Various phenomena of geography, biology and astronomy are now no longer restricted to just pictures and texts.
各种各样的地理，生物和天文现象如今不再仅仅局限于图片和文字了。
In fast reading given no relevant information, interaction information processing method is adopted while keeping the detailed contents of texts through "selecting and storing" process.
无提示条件下快速阅读过程，采用交互作用模式加工信息，保持文章细节内容，采取了“筛选储存”加工方式。
This popular expression_r 'entered into Nirvana' has no equivalent in the original texts.
进入涅盘'这种流行的在原文中没有相同的方式。
Disclaimer: No rights can be derived from the texts on this site.
声明：任何权利，可从本网站上的文本的。
When Geoffrey Chaucer was writing in the 14th century there were no set spelling rules, but he managed to compose interesting texts nonetheless.
14世纪，杰弗里·乔叟写作时，根本就没有拼写规则，虽然如此，他仍然写下了众多引人入胜的诗篇。
No other texts in the Western imagination occupy as central a position in the self-definition of Western culture as the two epic poems of Homer, the Iliad and the Odyssey .
没有别的主题在西方意象里如这两部荷马史诗般在西方文化的自我界定中占据如此核心的地位，《伊利亚特》和《奥德赛》。
Thus, some translation practices become too free as if they depend on no source texts, and a number of translation theories have utterly lost touch with translation.
二者关系之失调致使翻译实践常失去规矩方圆，翻译理论多流于清谈空论，所谓翻译研究成了一方谁都可以在里边建构理论的无界限领地。
Once we saw how easy that was-no stressful decision or long explanation necessary-we started typing it into emails and texts.
况且我们一旦那样做，无需多大压力，也无需更多解释，发个短信就行- - -就这么简单！
The present study of literary translation no longer focuses on the study of source and target texts as the traditional way does, but brings more factors in other fields into consideration.
在当前的翻译研究中，文学翻译已不再局限于传统的对源语文本与目的语文本的研究，而是将其他诸多因素也纳入其研究范围。
Some texts have been ruined by rain and snow because schools had no storage space and kept them outside under a plastic tarp, said Zia, the DANIDA official.
丹麦官员齐亚说，学校没有存放处，只好在露天塑料棚下堆放，有些书由于日晒雨淋都被毁坏。
But there are no other obvious problems with the texts as users appear to be having fun with their supposed glimpses ahead in time.
但是，随着用户们似乎由于他们信以为真瞥见未来而玩得高兴，并没有其它的明显问题伴随这些文本发生。
When it comes to English teaching in college, teachers no longer focus on collocation but structures, styles, or techniques of the texts.
而到了大学，教师不再重视搭配等词汇方面，更多的是注重文章整体的理解、文章结构、文体、写作手法等。
If you look back over it, there was no major or minor in western music up until about sixteenth century, and then people started writing these things called madrigals, that were tied to texts.
如果你追溯历史的话，你会发现到16世纪之前西方音乐明确还没有大调和小调。那时候(16世纪)人们刚刚开始创作牧歌【madrigal】，所有音乐和文字有了密切关系。
If you look back over it, there was no major or minor in western music up until about sixteenth century, and then people started writing these things called madrigals, that were tied to texts.
如果你追溯历史的话，你会发现到16世纪之前西方音乐明确还没有大调和小调。那时候(16世纪)人们刚刚开始创作牧歌【madrigal】，所有音乐和文字有了密切关系。
应用推荐