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The relativity of truth, the profusion of languages, these things that afflict Eliot are a source of faith for Stevens.
真理的相关性，语言的丰富性，这些折磨着艾略特的事物，对于史蒂文斯而言却是信仰的来源。
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So the top ones at the moment, you've got "Billy Eliot", "The Lion King",
而且，现在最热门的几部有《比利•艾略特》、《狮子王》、
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It's this basic antagonism, this difference of opinion, that Eikhenbaum wants to focus on and, indeed, does focus on.
这就是艾肯鲍姆的反对者的，基本意见，针对这点，艾肯鲍姆将反对付诸行动了。
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Yeats is, in fact, a far less nostalgic thinker than either Eliot or Pound, at least as I understand them.
其实叶芝不如,艾略特或庞德那么怀旧，至少我是这么理解的。
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He'd seen himself as a Jeremiah or as an Isaiah, and there were all those early gestures of prophecy.
他把自己看成是耶利米或是艾赛亚，诗里都是关于这种先知的示意。
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So first I want to read to you the footnote to T.S. Eliot's The Wasteland.
首先给你们读一段艾略特的《荒原》的脚注。
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The Aynak copper mines have billion dollars but they going to make 8 billion dollars.
在阿富汗艾娜克铜矿投资了十亿多,但也能够赚到八十亿。
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He would identify the goddess Isis with some Greek goddess.
将艾西斯女神与某个希腊女神联系起来。
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So, I went to work with Ev and Biz.
所以我去和艾夫与比孜一起工作。
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Bought a boy named Isaac.
买了一个叫艾萨克的男孩
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Anisha, when you say someone told you that Shakespeare is better... Are you accepting it on blind faith?
艾妮莎，你所说的,有人教导你说，莎士比亚更好。,你就盲目地接受了吗？
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Excavations at Jericho and Ai indicate that both of these towns were ; laid waste at least 200 years before the probable time of Joshua; so there weren't even any walls in Jericho at the time of Joshua.
耶利哥和艾城的挖掘都显示这两个城镇,都在约书亚前200年就已被毁损;,因此在约书亚时期，耶利哥根本就没有城墙。
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Aman Gameries. -Here.
艾门·格拉里斯，-在这儿。
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And he works in Essex, in a zoo
他在艾塞克斯工作，在一个动物园里面，
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Nobody can possibly miss in reading Eikhenbaum's rhetorically rather bizarre essay his obsession with struggle, with the fight, and with doing battle.
读完艾肯鲍姆,那篇修辞古怪的文章后，没有人会注意不到他对斗争和挣扎的热衷。
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Last time, I alluded to Yeats's involvement in the Abbey Theater, beginning in 1904.
上一节课上，我提到叶芝曾为艾比剧院创作，从1904年开始。
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Isaiah in this passage is describing a crucial moment in his career, his career as a prophet: the moment in which his lips are cleansed and he is empowered -- divinely empowered -- to speak prophetically.
在这一段里艾赛亚描述了一个他事业上至关重要的时刻，作为一个预言家：在这个时刻他的嘴唇被清洁干净,他被神圣得授权来预言。
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One of the things, by the way, that Eikhenbaum does in passing is remind us that we should be on our guard against thinking that sound is onomatopoetic--that is, that it reflects the meaning of what it's talking about.
艾肯鲍姆在书中提到,他特别提醒我们,不应该赞同拟声现象，拟声就是认为声音能反应它所表达的意思。
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But for Eikhenbaum, there's obviously a lot at stake.
但是对艾肯鲍姆却是生死攸关的。
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Modern poetry arises, in Eliot's case, with the death of God, with the loss of a theological justification for life, with a sense of disenchantment, a sense of depletion, depletion of meaning and value.
在艾略特而言，现代诗歌的兴起，与对上帝信仰的消失，以及对生活不再在理论使其合理化，及人们的觉醒，对意义和价值的耗尽是相伴相随的。
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That word, "impersonality"-- made famous by T.S. Eliot who advocated that is the stance from which all great art should proceed.
非个人化”之所以出名-,是因为T。S。艾略特所提倡的,是所有伟大的艺术都应该归于的状态。
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That is a course that I like to teach, too; usually I teach Plato to T.S. Eliot or Plato to I.A. Richards or some other important figure in the early twentieth century.
这也是我喜欢教的一门课;,我通常教从柏拉图到T。S。艾略特,或从柏拉图到T。A。理查兹,或者其他20世纪初的重要人物。
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Now "The Theory of the Formal Method," Eikhenbaum's essay that you've read for today, was written in 1927.
这篇，形式语言学理论“,是艾肯鲍姆，在1927年写的。
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In fact, this is the Harvard student who wrote Prufrock; Eliot wrote Prufrock largely when still at Harvard and in the years immediately following.
实际上，写这首诗时他还是哈佛的一名学生;,艾略特在哈佛时以及随后的几年里,完成了这首诗的大部分。
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As you may have guessed, because you have this on your handout, Milton is alluding here to the famous words of the Old Testament prophet Isaiah.
你们可能已经猜到了，因为讲义上都有，弥尔顿在这儿影射到这些,先知艾赛亚旧约里的一些很有名的词。
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When Alexander gets to Persia, or let's say when he gets to Egypt, he knows that there is this god Isis, this female god Isis, that's very important.
亚历山大抵达波斯时，这么说吧，他来到埃及后，发现当地有个叫艾西斯的神，这位艾西斯女神地位非常崇高。
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Elliott Gorn, a wonderful historian up at Brown, wrote a brilliant, fascinating, half-crazy essay once about eye-gouging and Southern fighting.
艾略特·龚是布朗时期一个伟大的历史家,他写了一本很有趣,很引人入胜,口味很重的一本小说,是关于南方式打架和挖眼珠的
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But, Nabokov's relationship to this modernist past is not just the burlesque that he visits on Eliot, is not just this complicated attraction and dis-identification that he works on with Proust.
但是，纳博科夫和现代主义者的关系不只是,他对艾略特的滑稽模仿，也不只是和普鲁斯特,复杂的吸引和不认同。
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In English it begins with the late novels of Henry James around 1900, in poetry with Eliot and with Ezra Pound.
在英国现代主义萌芽于1900年左右，体现在亨利·詹姆斯,的后期小说，艾略特和艾兹拉·庞德的诗歌上。
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Compare the footnotes in the Frost poems to the footnotes in The Norton that you find next to Eliot or Pound's poems.
把弗罗斯特的脚注跟诺顿的比较,就是在艾略特和庞德旁边的那个。
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