It's interesting that Milton certainly begins this headnote with suggesting directly to us that it's Milton speaking and not a fictional uncouth swain.
弥尔顿在开头就清楚明了的告诉我们,在吟诵诗歌的人是他,而不是某个粗鄙的年轻人,这非常有意思。
Facts are made and not found in Frost's poetry of work.
事实是创造的而不是在他的诗歌中找到的。
In other words, art for art's sake. That's Eliot's autotelic poem.
为了艺术而艺术,那就是艾略特目的存在于本身的诗歌。
He says, sort of toward the top of the right-hand column, page 768: It is evident that the bulk of poetry consists of statements which only the very foolish would think of attempting to verify.
右侧栏的上面,Richards写道:,诗歌中显然有大量不真实的陈述,而只有傻子才试图去核实它们。
For all these reasons, "The Fisherman" is really a re-writing and even a kind of continuation, rather than a repudiation, of "The Song of the Wandering Aengus" and the poems from that period.
就这些原因而言,渔夫,实际上是对流浪者安古斯之歌,和其他早期诗歌的一种重写,甚至是继续而不是否定。
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