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But for Milton's contemporaries in the seventeenth century, Milton's power really wasn't at all aesthetic or even religious in nature.
但在17世纪弥尔顿同时代的人看来，弥尔顿的力量却是毫无美感的，甚至本质上不是宗教上的。
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Milton's treading an extraordinarily fine line between the tremendous beauty of this image, on the one hand, and its potential impiety or just grotesquery on the other.
弥尔顿踩到了一条极其微妙的分界线上,这幅景象一方面极具美感，另一方面却可能是对上帝不恭甚至荒诞的。
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Meanwhile, the number zero is. Alright, it's all zeros 0 so I'll--just for consistency, use four of them here, but that's just an aesthetic.
同时，数字0呢，自然，全部是,只是为了一致性，我采用四个，当然仅仅是为了美感。
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In addition Aristotle tells us such a person will possess beautiful but useless things suggesting the possession not only of wealth but of a kind of cultivated aesthetic sense.
此外，亚里士多德告诉我们,这类的人还将会拥有一些美丽,但无用的东西,不只拥有财富,还有一种经教化的美感。
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I think it's the imminence of their fallen-ness that lends this image its incredibly powerful emotional intensity and also, I think, its beauty.
这是它们即将堕落的迫切性,使这幅图像有了无穷的情感强度,和无边的美感。
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And this is how we chose to implement the aesthetics of this game.
这就是如何才能使,游戏的实现具有美感。
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At least since the eighteenth century, these lines have been singled out for their beauty and, considering that Milton is describing the hideous demons under Satan's control, the pastoral elegance of this little simile really catches us off guard.
至少从19世纪起，这些句子因为它们的美感经常被单列出来，并被认为是弥尔顿在描述撒旦控制下的可怕的恶魔,这个小比喻诗歌上的优雅,确实使我们毫无防备。
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He returns us to the lowly perspective that Galileo had when he set up his telescope in that other valley, Valdarno, and it's this lowly vantage point that's beautiful in part because it's a fallen perspective, not in spite of the fact that it's a fallen perspective.
他让我们回到伽利略和他在另一个村庄,瓦尔达诺设置望远镜的较低的层面，这个低下的认为这个层面存在美感的观点,是因为这是一个堕落的观点，而不是因为堕落的事实。
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I think it's safe to say that we're intended to be shocked, ; maybe even repulsed, by this remarkable description of the deity; and so I'm hoping you feel something of a shock of these lines, "and mad'st it pregnant." Milton is taking a huge aesthetic risk here.
通过这不同寻常的对神的刻画，弥尔顿，应该是想要让我们震惊，甚至厌恶的;,因此我希望你们因这几句感到些许震撼，“使它怀孕“，弥尔顿在这里为了美感不惜冒了很大的险。
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And so, I would argue to you that Salinger imagines literature as a performance of this kind, a performance of a language of family love that is nevertheless also an aesthetic language.
所以，我认为Salinger想象的文学,作为这种家庭里爱的语言的表现,那至少也是充满美感的语言。
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