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You could go to Yeats's poem "Adam's Curse" to see the poet talking about this aesthetic ideal.
叶芝在他的诗歌亚当的诅咒里,谈论了他这一美学理想。
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I'd like to look with you at "The Song of the Wandering Aengus" as a kind of model of the kind of poem I'm talking about and its aesthetics.
我想让你们读读,流浪者安古斯之歌“,最为我正在谈论的诗歌,和其美学的代表来读。
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So, we have a kind of image there of the autonomous aesthetic pleasure, right, the pleasure of imagination that's taken alone, according to one's own thoughts rather than in some broader, more social form.
好了，这就是一种自发的美学享受的情景,对，这就是独自幻想的乐趣，它出自人自己的想法，而不是一些更宽广的概念，不是一些更社会化的形式。
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So, we'll talk about this other axis of style on the course, writing code that looks pretty and as well aesthetically laid out.
我们来讨论一下这个中心对称的程序，这程序写出来的结果很漂亮,完全按照美学角度摆放。
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Ideas like this, as I say, are taken from the aesthetic and practical thinking about the nature of the work of art that one finds in Modernism.
这种观点,来自对,现代主义作品美学和实际的考虑。
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Milton's performing a similar boundary-crossing aesthetic gesture here.
弥尔顿在他的作品中也展现了这种美学上的边界交叉。
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called Reality Transform It's a book very largely in aesthetics of film.
它叫《现实转换》,这本书谈的基本都是电影美学。
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This is Yeats rather later, still dressed, however, in his study as an aesthete and dandy.
这是叶芝在晚年时在书房里，打扮成美学家和花花公子的原因。
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These are setups of pieces on the chess board that have particular solutions. And they're very complex, and they have a kind of aesthetic form to them.
象棋有些设置是有专门的,解决方法的，很复杂，它们有一种美学在里面。
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No new line just 'cause I made an aesthetic call that this looks kinda nice if the prompt stays on the same line.
基于美学等原因,我们就不换行了,让将要打印出的东西跟在其后。
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In other words, the experience of reading poetry is not just an aesthetic experience.
也就是说，读诗并不,仅仅是美学的享受。
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In many ways Yeats retained this aesthetic bias.
很多方面他都持美学上的偏见。
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Man brings the sense of what the world is into being and then stands aside and somehow sort of takes it in through an aesthetic register or in some other remote way.
人类创造了世界的意义,然后站到了一边，然后,通过美学的认证或其它遥远的方式将其吸收。
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There is first the understandable aesthetic power, the power of the beauty of Milton's verse, an aesthetic power that's often thought or felt to inhere somewhere in the poetry itself.
首先是美学上的力量，这是可以理解的，弥尔顿的诗句之美的力量，一种美学意义上的力量,大家通常认为或觉得这是弥尔顿诗歌本身固有的一种力量。
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The purpose of new form is not to express new content, but to change an old form which has lost its aesthetic quality lost its power to take the film away from our eyes].
新形式的目的不是要表达新的内容，而是要更换已经失去美学价值的旧形式,不能调整我们看世界的旧眼光了。
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So, in a way we are the solvers of this problem for him; ; we are the other half that completes the aesthetic experience; we are there to participate in it with him.
所以，我们某种程度上也是他的问题的解决者;,我们是使美学体验完整的另一方;,我们和他一起参与。
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The occult gives Yeats aesthetic forms for understanding individual psychology and historical event.
神秘主义使叶芝从美学角度,理解个人的心理,和历史事件。
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The only purpose of the work of art is to afford aesthetic bliss.
艺术作品的唯一目的是提供美学极乐。
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So, therefore, we must take up, he suggests, an ascetic path,engaging only, as he says, in "those works" that are fit "for such men as come proud, open-eyed" and laughing to the tomb.
因此我们必须采取，如他所说，一条美学的道路，这些作品只适合于,对那些骄傲的、睁着眼笑嘻嘻“,走向坟墓的人。
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We say, "That's a nyewd," and that distinction is what, as it were, bears out the implicit way, the semiconscious way, in which all of us acknowledge there to be a category that we call the aesthetic judgment.
我们会说：“这是个裸体像“，这里面的区别，以一种含蓄的，半模糊的方式体现出来，通过这种方式，我们任何人都承认,的确有一种美学的判断角度。
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Inutile loveliness" is kind of the key word of Nabokov's technique, and he says the novel has as its only purpose to provide aesthetic bliss. So, here is inutile loveliness coming just from seeing the landscape as a stranger.
无用的可爱“是纳博科夫技巧的一个,关键词，他说小说只有一个目的，那就是提供,美学狂喜，所以这里的“无用的可爱“,是把风景当做一个陌生人看待。
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It's in response to what seems to have been an aesthetic reaction to the poem that the printer of Paradise Lost asked Milton, went back to Milton and asked him to append a note to the book's second printing -- to append a note that explains why the poem rhymes not.
这是弥尔顿对《失乐园》的出版商的答复,出版商问弥尔顿关于此诗的美学问题，他找到弥尔顿，让他给此诗的第二次印刷附一个,注解--附个注解解释这诗为什么不押韵。
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So that's Kant's famous distinction between the purposive, which is the organization of an aesthetic object, and the purposeful, which is the organization of any object insofar as it goes to work in the world or for us.
所以康德的著名理论，关于区分美学意义上的“合目的性“,和存在意义上,服务于我们的“目的性“
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In Nabokov there is, but it's usually aesthetic: how things look, the look of a hotel, the look of a field, the look of a child, the look of a woman.
在Nabokov的书中有：,不过一般是美学的：事物看起来怎么样，旅馆的样子，田地的样子，小孩的样子，女人的样子。
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