Now if you look at the quotes and the folio edition There're many cases where there are significant diversions.

现在假如你看第一对开本和引语本,还有很多很不一样的地方。

麻省理工公开课 - 媒体、教育、市场课程节选

Not so much as long as the single line But in fact groups of lines. The quote editions are Highly condensed; the folio edition are probably Come closer to the full play.

不一定是一句台词,而是大段的台词，引语版是,高度浓缩的，第一对开本可能,更接近完整的剧。

麻省理工公开课 - 媒体、教育、市场课程节选

In 1928, and this is the next quotation on the handout, Milton has come to represent for Virginia Woolf a very different type of cultural force.

在1928年，这是讲义中的下一条引语，弥尔顿对佛吉尼亚·伍尔夫又成了,一种不同类型的文化力量的代表。

耶鲁公开课 - 弥尔顿课程节选

At the end of the movie when we first watched the movie you gave us a quote?

在电影的结尾,我们看的时候,有一段引语？

麻省理工公开课 - 电影哲学课程节选

I started last time, and actually my whole lecture existed under the rubric of, this quotation from Sabbath Lily Hawks, and I'm just going to read it to you again. "I like his eyes.

上堂课我给你们介绍了一下这部小说的基本内容，这次的讲座,将从萨巴斯-莉莉-霍克斯的引语开始，我现在要再将这段话朗读一遍，我喜欢他的眼睛。

耶鲁公开课 - 1945年后的美国小说课程节选

It's a kind of realism, of course. Nevertheless, there it is in front of us, and again I call you back to that quotation. What are we going to see when we look at the fiction? Do we see what's in front of us?

当然这也是一种现实主义，然而，这些就在我们眼前，我想再次将你们的注意力集中到那句引语上，当我们阅读这,部小说时，什么情景会呈现在你眼前呢，我们能看到什么吗？

耶鲁公开课 - 1945年后的美国小说课程节选