That's what they do. It's consonant, it's in major, it's high and, most important, the rhythm is very uncomplicated.
这就表现他们的音乐,它是协和的,是大调,是高音,并且最重要的一点,这节奏很是简单
Most of our popular music, folk songs and things like that, are written in duple meter and in a major key.
大多数的流行音乐,民歌,以及类似的音乐,是写在二拍子和大调上面
Okay, that's a little bit of this ambiguity between major and minor in a piece of traditional Jewish music.
好了,大调和小调,在传统的犹太音乐中有些含糊的地方
I've put it in the key-- what's called the bass clef here-- and it's in a major key.
我已经标好了调性,这个叫低音谱号,它采用的是大调
We're going to start here and we have this pattern of the major that goes whole, whole, half, whole, whole, whole, half step.
我们从这里开始,大调模式是这样,它经过,全音,全音,半音,全音,全音,全音,半音级
So, let's listen to this bit of klezmer music go back and forth between minor and major.
让我们感受下这段犹太音乐,它在小调和大调之间转换
So, we've got scales that are in the major mode; we've got scales in the minor mode.
我们已经听过大调的调式了,我们已经接触过小调式了
It's kind of between the major and minor that we'll talk about a little bit later on.
它算是介于大调与小调之间,等一下我们再展开讨论
Occasionally, you do run into pop pieces, folk songs, in minor, but most of them are in major-- probably about eighty percent in major.
大家偶然也会碰到小调的流行音乐和民歌,但大多数还是大调,大概百分之八十是大调
It's going to go back to minor and then I think shift back to major.
它又回到了小调,然后我认为又会回到大调
Go through the literature, see what--but mostly, for the most part, it shows minor--major.
查找文献,看一看,但大多数,大多数,是小调,哦,不,是大调
Now, we're going to go onto the shift to major here, another little clip.
现在,乐曲将转入大调,再来一小段
Okay, we've been talking about scales, these ideas of major and minor scales.
行,我们讨论了音阶,大调音阶和小调音阶的概念
Well, we have this idea of a seven-note major and seven-note minor.
那个,我们有这么个概念,七音符大调和七音符小调
But in the course of history, we settled beginning in the sixteenth and seventeenth century, down into just two patterns: what we call the major pattern and the minor pattern.
但在历史的发展过程中,在十六到十七世纪期间,人们最终确定了下列两种模式,我们称之为大调模式和小调模式
So, we're used to making associations with major and minor.
我们习惯于对大调和小调进行联想
All right, so let's talk about major and minor now.
好了,现在我们来讨论一下小调和大调
So a bright, shiny major and then dark minor.
所以明快,阳光的大调然后是灰暗的小调
Right hand if it's major, left if it's minor.
大调举右手,小调举左手
But from Mozart, major--difference between major and minor.
但在莫扎特的作品中,大调小调的区别
With this one, sometimes major and sometimes minor.
这一个,有时是大调而有时是小调
Very dissonant music. Is it major or minor?
很不协和的音乐,它是大调还是小调呢
Major: happy, bright, optimistic, a day like today.
大调,愉悦,开明,乐观,就像今天
If you look back over it, there was no major or minor in western music up until about sixteenth century, and then people started writing these things called madrigals, that were tied to texts.
如果回顾下历史,大家会发现直到十六世纪,西方世界才出现大调和小调,那时人们开始写一种叫做牧歌的曲子,并配上歌词
Now the modulation--change of key from major to back to minor as the cortege will start up again and then we-- A nice clarinet sound there and here comes our cortege with the bass.
现在变调了,从大调,变回小调,送葬行列再次启动,然后我们听到了优美的单簧管,送葬行列伴随着低音来了
So, we've got our major scale.
那么,我们得到了大调音阶
What about this: major or minor?
这个呢,大调或者小调
So, there it's in major.
那么,这段就是大调
Okay. Major and minor.
大调和小调
And they got in this habit of, every time they had a bright, happy text, they'd set this in one kind of mode or key-- a major mode--and every time they had a sad one, they'd set it in minor.
于是人们养成了这样的习惯,每当人们书写欢乐,愉悦的歌词时,他们就设定一个调式或调性,即大调,每当人们书写忧伤的歌词时,他们就定为小调
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