• Some of them we've already talked about. Andrew talked about the class list and gave you some ways of understanding those pictures in Gaston Godin's apartment.

    其中一些我们已经讨论过了,安德鲁讲授过课程单,并且给了你们关于加斯顿·戈汀公寓中的画的,的几种理解方式。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • You may have noticed in your Wimsatt essay that there is a footnote to somebody named Joel Spingarn who wrote an essay called "The New Criticism" in 1924.

    你们可能还注意到了,上一篇关于文萨特的文章中,有一个脚注提到了一个叫乔·恩的人,这个人在1924年写过一篇文章也叫做《新批评》

    耶鲁公开课 - 文学理论导论课程节选

  • In Kasbeam, a very old barber gave me a very mediocre haircut.

    加斯比姆,一个很老的理发师给我剪了个很难看的发型。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • I would also add the names of Pericles Lincoln and Churchill.

    我还要一些名字,像是伯里克利,林肯,丘吉尔。

    耶鲁公开课 - 政治哲学导论课程节选

  • In addition to Jenner, there was a farmer named Benjamin Jesty, who recognized that farmers, being in contact with cows, didn't get disease as often as non-farmers did.

    除了詹纳,还有个叫本杰明?加斯特的农民,他发现与奶牛接触的农民,不像其他人那样容易患天花

    耶鲁公开课 - 生物医学工程探索课程节选

  • What's distinctive about the South: "The South has a tradition," Said Gurganus, "Of attempting the impossible at great cost, proudly celebrating the failure, and in gaining admiration for the performance."

    写的是南方的独特之处,"南方有种传统",古尔说,"付出巨大的代价挑战命运,即便失败仍非常自豪,并因此而为他人所尊敬"

    耶鲁公开课 - 美国内战与重建课程节选

  • And the schools play a major role in this and thus all these kids who grew up speaking patois or Provencal or Gascon-- I forgot Gascon, around Bordeaux, they can sing the Marseillaise in acceptable French as they march off to be slaughtered.

    在这里面学校扮演了主要角色,所以这些说着,方言或者普罗旺语或者加斯科涅语的孩子们,我把加斯科涅语忘了,在波尔多附近,他们操着勉强能接受的法语唱着马赛曲,上前线等待被屠杀

    耶鲁公开课 - 1871年后的法国课程节选

  • And then lastly there's Allan Gurganus, that wonderful Modern Southern writer who wrote that book called The Oldest Confederate Widow Tells All, you know that bizarre it's a wonderful read.

    最后我们要讲下艾伦·古尔,一位杰出的当代南方作家,他写了本书叫做,《往日情怀》,名字听起来很古怪,却是一本很值得一看的书

    耶鲁公开课 - 美国内战与重建课程节选

  • So, let's begin with another of those scenes on 213 that Nabokov points out to us, the Kasbeam barber. Why did it take him a month to come up with the Kasbeam barber? What's going on in this tiny snippet that's so important? So here it is.

    那么,我们从213页纳博科夫向我们指出的另一个,场景开始:理发师加斯比姆,为什么他花了一个月的时间,来创造理发师加斯比姆的形象呢?这个小片段里,发生了什么重要的事情呢?我们来看这里:

    耶鲁公开课 - 1945年后的美国小说课程节选

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