So we try to remember to say "Wimsatt and Beardsley" even though it is Wimsatt who taught at Yale.

所以我们总说“文萨特和比尔兹利“,尽管在耶鲁教书的只有文萨特。

耶鲁公开课 - 文学理论导论课程节选

In Westwood sometimes we get to see Ferraris and exciting, exotic cars like that

在韦斯特伍德我们有时候能看到法拉利和类似的让人激动的国外的名车，

学习机械工程 - SpeakingMax英语口语达人

In the book in which the essay "The Intentional Fallacy" appeared, a book called The Verbal Icon, Wimsatt collaborated with Monroe Beardsley on three essays, and this is one of them.

意图谬误“是文萨特与比尔兹利一起，为一本叫做《语言象征》的书,写的三篇文章中的一篇。

耶鲁公开课 - 文学理论导论课程节选

You can see some people in the back with cameras as part of an experimental pilot program funded by the Hewlett Foundation and at some point they will decide what they will do with these lectures.

你们能看到后面的摄像人员,这是个由休利特基金会赞助的实验性试播项目,在某种程度上来说,是由他们决定,如何使用这些课堂录像

耶鲁公开课 - 基础物理课程节选

So, here is where Jerry Pollitt's analogy to the fall of Rome seems so very appealing.

对此,杰瑞·波利特对于罗马城陷落,的类比似乎也十分引人注目

耶鲁公开课 - 古希腊历史简介课程节选

This is a picture of Bill Kannell on the right and Bill Castelli on the left who were physicians who were very prominent in this Framingham Heart Study over the years.

右边是比尔·堪奈尔的照片,左边是比尔·凯斯特利,他们都是这么多年弗明汉心脏病研究中,表现杰出的医生

耶鲁公开课 - 关于食物的心理学、生物学和政治学课程节选

Yeah, I live in the dorm Littlefield. It's the best dorm. My opinion.

是，我住在利特菲尔德宿舍。最好的宿舍，我是这么认为的。

布朗的宿舍公寓 - SpeakingMax英语口语达人

Leicester Square, Piccadilly, they're where like all the shows are,

莱斯特广场，皮卡迪利广场，所有的演出都在那儿，

伦敦的约会路线 - SpeakingMax英语口语达人

This particular lecture course was being given by Georges Poulet, a so-called phenomenological critic.

这门特殊的演讲类课程由乔治斯，波利特，一个现象学批评家授课。

耶鲁公开课 - 文学理论导论课程节选

And Poulet would look at them and say, "Mais, oui! Exactement! A mon avis aussi!"

波利特就看看他们，说，“是，非常好！我也注意到了！“

耶鲁公开课 - 文学理论导论课程节选

In any case, Poulet was also a central figure on the scene of the sixties.

不管怎么说，波利特也算是六十年代舞台上的一个中心人物。

耶鲁公开课 - 文学理论导论课程节选

Beardsley by the way was actually a philosopher who taught at Temple University, a good friend of his.

顺便说一句，比尔兹利其实是个哲学家,他在Temple大学教书，是文萨特的好朋友。

耶鲁公开课 - 文学理论导论课程节选

You can see that when Wimsatt and Beardsley talk about the "success" of the poem, they understand the whole critical enterprise, - including its theoretical underpinnings-- the question of what is a poem, - the question of how should we best read it-- to be still geared toward literary evaluation.

大家应该发现，当文萨特与比尔兹利谈到,诗歌创作的“成功“一词时，他们完全理解了文学评论体系，这包括适用于文学评估的理论根基-,就是那些关于什么是诗歌，还有我们如何解读的问题-,这些都对文学评估很重要。

耶鲁公开课 - 文学理论导论课程节选