And it requires us to understand history not in moral terms, such as "good" and "evil," but rather in aesthetic terms.

它需要我们,不是以道德层面去理解历史，去判断好坏“,而是要从审美的角度去看。

耶鲁公开课 - 现代诗歌课程节选

In other words, the judgment of beauty does not depend on the existence of the object for its satisfaction.

换句话说，审美不会依赖于,事物自己的存在形式。

耶鲁公开课 - 文学理论导论课程节选

It's a religious image. It's also a gendered religious image; it's also an aesthetic image.

这是一个宗教场景，一个温柔的宗教场景;,也是一个具有审美意味的宗教场景。

耶鲁公开课 - 1945年后的美国小说课程节选

It is, in fact, a very deliberate and self-conscious repudiation of that late romantic aesthetic that Yeats's early book, and even the cover of that early book, represents.

实际上，这是一种非常从容不迫有意识的,对早期叶芝的书里体现出的后浪漫审美的抛弃，甚至连早期那本书的封面，都体现出了这种倾向。

耶鲁公开课 - 现代诗歌课程节选

And there's this third axis called "style," which is really a more subjective aesthetic sense.

还有第三个中心线叫做“设计风格“,那是一个主观的审美学的观念。

哈佛公开课 - 计算机科学课程节选

That wasn't just because they sort of had an aesthetic pleasure in nice flat fields.

这不仅是因为,平原会给人愉悦的审美享受

耶鲁公开课 - 古希腊历史简介课程节选

We almost fell asleep on that tonic chord.

我们现在对主音和弦都有点审美疲劳了。

耶鲁公开课 - 聆听音乐课程节选

What does it mean, a new form comes about only to replace an old form which has ceased to be aesthetically viable?

但是新的形式代替旧的形式,来换取审美的重生是什么意思？

耶鲁公开课 - 文学理论导论课程节选

Here's the title page, reminding us, again, that this gorgeous Celtic aestheticism is published and put up for sale in London, which is important again.

这个封面页再一次提醒我们，绚丽的凯尔特审美主义,是在伦敦出版和出售的，这一点很重要。

耶鲁公开课 - 现代诗歌课程节选

It's a kind of hauntedness that surrounds Nabokov's vision of aesthetic bliss as one's response to that autonomous artwork.

这样对艺术作品，自主性的回应,对Nabokov的审美幸福观点而言，是挥之不去的困扰。

耶鲁公开课 - 1945年后的美国小说课程节选

So, this is the other form that the aesthetic can take. And I think that Nabokov is consistently concerned about these two valences of what the aesthetic can look like.

那么这就是那种审美观念的,另一种形式，我认为纳博科夫一直十分关注这两种审美的,可能形式十分关注。

耶鲁公开课 - 1945年后的美国小说课程节选

It's a late Victorian image of an archaic singer rendered in the melodramatic manner of Pre-Raphaelite art and thoroughly removed from the aesthetic values of modernism, such as naturalism, formal clarity, emotional restraint and so on.

这是维多利亚时代晚期古代吟唱诗人的肖像,用戏剧化的前拉斐尔派,风格表现，完全摒弃了,现代主义的审美观，比如自然主义，形式明确，感情自制等等。

耶鲁公开课 - 现代诗歌课程节选

I want it or I disapprove of it and, lo and behold, it's no longer aesthetic. I'll come back to that in a moment, but I hope you can see that that is a distinction between the purposive and the purposeful.

我会产生想法，比如想得到它还是觉得它恶心，你瞧，这样一来就不只是纯审美问题了，我一会儿再回来讲，但是我希望你们现在可以区分,“合目的性“和“目的性“这两个概念了，它们是有区别的。

耶鲁公开课 - 文学理论导论课程节选

So, he combines this very attentive set of details, which are not always, and often are not at all, the aesthetic details with which Nabokov filled Lolita.

所以你可以在报纸上找到他在书中谈到的广告，他结合了这些在Nabokov的《洛丽塔》中，不怎么具有审美趣味的细节。

耶鲁公开课 - 1945年后的美国小说课程节选