• What I want to stress now is that Yeats sees passion at work in the same way in history.

    我现在要强调的是,芝在工作中感到了激情,就如他在历史中感受到的一样。

    耶鲁公开课 - 现代诗歌课程节选

  • You can see him, in a sense Yeats, cooling the fire in the head of Aengus at this moment.

    你们可以感受到此时芝正从,安古斯的狂热里冷静下来。

    耶鲁公开课 - 现代诗歌课程节选

  • And it turns out that when you constructively have two p orbitals interfere, and when I say constructively, I mean they're both either positive or they're both the negative lobes, that's when you got bonding.

    当两个p轨道,相长干涉时,我说的相干相长,意思就是说它们要么都是,正的瓣要么都是负的瓣,这时就能成键。

    麻省理工公开课 - 化学原理课程节选

  • There is the frontal lobe, easy to remember, it's part in front, the parietal lobe, the occipital lobe, and the temporal lobe.

    有额,很好记,是前面的部分,枕,还有颞

    耶鲁公开课 - 心理学导论课程节选

  • Well, there I might be factoring in the frontal lobe because much of the short-term memory in particular is in the frontal lobe.

    那么,额会发挥作用,因为大部分的短期记忆,都由额进行处理

    耶鲁公开课 - 聆听音乐课程节选

  • The two lobes smear and I end up with something that looks like this.

    最终,重叠,形成这样的结构。

    麻省理工公开课 - 固态化学导论课程节选

  • Yen Cu is back there, Yen raise your hand higher so everyone can see.

    坐在后面,把你的手举高一点,让所有的人都能看到你

    耶鲁公开课 - 生物医学工程探索课程节选

  • The only way to avoid that is to lobotomize me, and that's not desirable.

    唯一的解决方法是作额切除术,那不是我想要的。

    耶鲁公开课 - 死亡课程节选

  • This is The Wind Among the Reeds, author William Butler Yeats, the year 1899, on the verge of the new century.

    这是威廉巴特勒芝的《苇间风》,在新世纪即将到来之际的1899年出版。

    耶鲁公开课 - 现代诗歌课程节选

  • In fact, Yeats sees his poems as a kind of summoning of spirits or evocation of spirits, as he refers to it.

    实际上,芝认为他的诗歌,如他所说在召集传唤灵魂。

    耶鲁公开课 - 现代诗歌课程节选

  • Nonetheless Oscar Wilde, a friend of Yeats nonetheless, Yeats's poetry does undergo an important and notable stylistic change.

    王尔德也是芝的朋友,但芝的诗歌的确经历了,重要的值得一提的风格上的改变。

    耶鲁公开课 - 现代诗歌课程节选

  • You could go to Yeats's poem "Adam's Curse" to see the poet talking about this aesthetic ideal.

    芝在他的诗歌亚当的诅咒里,谈论了他这一美学理想。

    耶鲁公开课 - 现代诗歌课程节选

  • What's really weird— One really weird finding about these lobes is that they include topological maps.

    奇怪的是,关于这些脑,有一个奇怪的研究发现,那就是,在它们上都存在着地理定位图

    耶鲁公开课 - 心理学导论课程节选

  • The myth that Yeats takes up is of Zeus's rape of the maiden, Leda, whom he attacks as a swan.

    芝此诗的神话原型是,宙斯强暴了一个美女,丽达,宙斯变成天鹅侵犯了她。

    耶鲁公开课 - 现代诗歌课程节选

  • Through Yeats's poem, Easter, 1916 goes on happening, happening in a sense in and even to us.

    通过芝的这首诗,1916年复活节起义之事,就好像在我们眼前发生。

    耶鲁公开课 - 现代诗歌课程节选

  • That "Spiritus Mundi" that Yeats refers to in "The Second Coming," well, this is Yeats talking about that idea here.

    芝二次圣临里的宇宙之魂“,芝这里在谈这一观点。

    耶鲁公开课 - 现代诗歌课程节选

  • There's a way in which Yeats's poetry of this period goes on resonating in the world we're living in.

    芝这一时段的诗歌,有一个反应现实生活的方法。

    耶鲁公开课 - 现代诗歌课程节选

  • It is, in fact, a very deliberate and self-conscious repudiation of that late romantic aesthetic that Yeats's early book, and even the cover of that early book, represents.

    实际上,这是一种非常从容不迫有意识的,对早期芝的书里体现出的后浪漫审美的抛弃,甚至连早期那本书的封面,都体现出了这种倾向。

    耶鲁公开课 - 现代诗歌课程节选

  • You could compare this poem to the poem placed last in Yeats's last poems called "Politics" that might seem to say something similar.

    你们可以将这首诗与,芝诗篇的最后一首“政治“相比较“,它们可能会说一些相似的东西。

    耶鲁公开课 - 现代诗歌课程节选

  • Well, that's enough for today, and we will continue Yeats on Wednesday.

    好,今天就到这里,周三我们继续我们的芝之旅。

    耶鲁公开课 - 现代诗歌课程节选

  • If Yeats's book was so explicitly Irish, look at this book.

    如果芝的书是如此精致的爱尔兰化的话。

    耶鲁公开课 - 现代诗歌课程节选

  • For Wednesday--This is my--our first Yeats lecture.

    星期三是我们第一次关于芝的课程。

    耶鲁公开课 - 现代诗歌课程节选

  • Pearse is seen as, in Yeats's poetry and in popular lore, as Cuchulain, as a kind of avatar of the mythic Irish hero.

    芝的诗里皮尔斯被看作是,民间传说中,的英雄王库丘林,是爱尔兰神话里下凡的天神。

    耶鲁公开课 - 现代诗歌课程节选

  • And this is related to Yeats's idea that the poet and this is something he wrote about in the prose that the poet is more type than man.

    这和芝关于诗人的观点,他在一篇散文里提到的,诗人更多是形象而不是个人。

    耶鲁公开课 - 现代诗歌课程节选

  • Contrast Yeats's old age and the freshness of his desire in this poem.

    在这首诗里对比芝的年纪,和他愿望的朝气。

    耶鲁公开课 - 现代诗歌课程节选

  • The swan is really only a force, and Yeats's concern is rather with the human experience of that force, which is, again, another manifestation of "terrible beauty."

    这天鹅只是一种力量,而芝所关注的是,人类对此力量的感受,而这又是,一次,惊人之美,的表现“

    耶鲁公开课 - 现代诗歌课程节选

  • As I said last time when I showed you that letter to Pound, Yeats's London apartment is essentially across the street from where the number 30 bus blew up.

    上一次我说,当我给你们看他给庞德的信时,芝在伦敦的寓所,正好在30路车爆炸,的那条街的对面。

    耶鲁公开课 - 现代诗歌课程节选

  • This occult Yeats is a genuinely and wonderfully strange thinker.

    在神秘主义方面,芝,真是个奇异的思想者。

    耶鲁公开课 - 现代诗歌课程节选

  • I'll say more about this next time with reference to Yeats's late poetry.

    下次我会多谈些这方面的,关于芝晚期诗歌的内容。

    耶鲁公开课 - 现代诗歌课程节选

  • Pound goes to work on Yeats, goes to work on his poetry and helps modernize him, although I think in lots of ways the influence went just as much the other way.

    庞德转而研究芝和他的诗,并帮助他往现代主义转变,尽管我认为在很多方面,是芝影响了庞德。

    耶鲁公开课 - 现代诗歌课程节选

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