• So in this guise with the mask of Saint Peter on he's -- Milton's -able to be both poet and minister.

    因此在圣彼得的面具掩盖下,弥尔顿能够身兼诗人和牧师的双重职责。

    耶鲁公开课 - 弥尔顿课程节选

  • And I live in Hungary, so I'm a double citizen

    我住在匈牙利,所以我是双重公民,

    英语学习就要这样 - SpeakingMax英语口语达人

  • So the question was-- First, it was the accusation before the question, that I'm holding a sort of double standard.

    其问题是,首先,在这个问题之前他指责,我在施行双重标准

    耶鲁公开课 - 死亡课程节选

  • Am I an American or Japanese, or American and Japanese?

    我是美国人还是日本人,还是双重国籍?

    麻省理工公开课 - 媒体、教育、市场课程节选

  • Milton recognizes that way of thinking as a double standard, ; and he isn't satisfied with this vulgar double standard; so he comes up with a vulgar double standard of his own.

    弥尔顿认为这种思维方式有双重标准,他并不满足于低俗的双重标准;,因此他提出了一个他自己的庸俗双重标准。

    耶鲁公开课 - 弥尔顿课程节选

  • This is a moment when the narrative voice begins to split in a very conscious way.

    一种很有意识的声音,因而成了双重声音。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • It's a difference, or differance, that comes into being precisely in writing, and it's only in writing that we suddenly grasp the twofold nature of differance as difference and deferral.

    这是一个差异,或者说是延异,它就是在书写中产生的,而就是在书写中,我们突然掌握到,延异的双重本质,这便是区别和迟延。

    耶鲁公开课 - 文学理论导论课程节选

  • And that's another kind of doubleness in Frost.

    这也是弗罗斯特的另一种双重写照。

    耶鲁公开课 - 现代诗歌课程节选

  • He performs this double duty.

    他执行着双重责任。

    耶鲁公开课 - 旧约导论课程节选

  • And all of a sudden, I moved from being a professor here, which previously had been my greatest opportunity, to leading this very large non-for-profit organization that had both national and international responsibilities.

    所以突然间,我从普林斯顿的教授,这曾经是我最大的机遇,变成了这个公益组织的领导者,负有国内和国际的双重责任。

    普林斯顿公开课 - 人性课程节选

  • You see, this is the way in which you avoid the form-content distinction.

    这样我们就避免了形式和内容的双重性的悖论。

    耶鲁公开课 - 文学理论导论课程节选

  • I talked about doubleness last time.

    我上次说过双重写照。

    耶鲁公开课 - 现代诗歌课程节选

  • But, you know, the formalists' own basic distinctions are dualistic, aren't they: the distinction between poetic and practical language, the distinction between plot and story, the distinction between rhythm and meter?

    但是,形式主义所认为的区别却是双重标准的,诗歌语言和实用语言的区别,情节和故事的区别,节奏和韵律的区别?

    耶鲁公开课 - 文学理论导论课程节选

  • It's not so much a double standard is needed; it's a tie.

    无关什么双重标准,双方旗鼓相当

    耶鲁公开课 - 死亡课程节选

  • Well, I actually think the Russian formalists can be defended against the charge that, unbeknownst to themselves, they fall back in to form-content distinctions by insisting on this variety of dualities.

    但是我认为,这些形式主义者们在不自觉中,对于形式和内容的双重性,太过偏执。

    耶鲁公开课 - 文学理论导论课程节选

  • There's a duality there.

    有一种双重性。

    普林斯顿公开课 - 人性课程节选

  • The split voice, the development of what you could say is that racial double consciousness that W. E. B. Du Bois talks about, that double consciousness of the racial reality, is manifested in that split in the narrative.

    双重叙述中,双重语气表现了出来,这就是W。,E。,B,Du,Bois所说的,种族双重意识,的发展。

    耶鲁公开课 - 1945年后的美国小说课程节选

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