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As you'll see in Book Seven, the book of the Creation, he gives it a liberty to organize itself into the order of the created world -- a freedom to create itself.
在第七卷，描写创世纪的那一卷中可看到，上帝赋予了物质组织自己以符合,新世界的自由--创造自己的自由。
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You have the three major prophets, Isaiah, Jeremiah and Ezekiel, and then the twelve minor prophets, which in the Hebrew Bible get counted together as one book, because those twelve are very small.
先知书里有三大预言家，以塞亚，耶利米和以西结，后来还有12个小先知，他们因为很小所以，全部被收入了一卷。
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Some of the things that I'm about to talk about are drawn from chapters in that particular volume.
我将要讲到的一些内容,都取材于其中的一卷
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OK. Now, fortunately we're not going to start with Turing's six primitives, this would be really painful programming, because they're down at the level of, "take this value and write it onto this tape."
好了，现在，幸好我们能开始讲述,图灵的六个基本类型了，这会是非常痛苦的编程，因为它们只在这个阶段上，“拿到这个结果并写在这一卷磁盘上“
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If you take a bunch of pennies and you spread them out, you don't get more pennies.
如果你把一卷硬币全部摊开,你不会得到更多的硬币
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Barth wrote a famous essay just the year before these stories came out all in one volume. They had been written over a series of years, got a lot of exposure--called "The Literature of Exhaustion."
在写完这一卷故事的前一年,巴斯写了一篇著名的论文，在60年代，叫《枯竭的文学》
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Well, if you look at the catalog of ships in Homer's Iliad, the island of Salamis had its ships lined up next to the island of Athens. Ballgame.
如果你看荷马伊利亚特的《船舶名录》这一卷,萨拉弥斯人把自己的船排列在了,雅典人的船旁边,就那么简单
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But you might have to,also, refer to a Psalm over here or to another passage over here. And it's too difficult if you're unraveling scrolls and everything.
但你也许还要查阅，诗篇或者另一段文字,而解卷展轴太麻烦了。
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They have different points of view,different situations, different theologies,different genres.
每一卷有不同的观点，不同的背景，不同的神学，不同的类型。
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I don't think there's an Esther from Qumran, I think that's the only one.
我觉得谷木兰死海古卷里没有以斯帖记，只是没有这一卷。
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Okay. We have time for another simile, the last simile of Book One.
我们还有时间看另一个比喻，卷一的最后一个比喻。
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So if you wanted to read Isaiah, it actually was more than one scroll.
所以如果你想读以赛亚书，它实际上不止一卷。
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Who was written first, who copied whom,who used whom,and that sort of thing.
写得最早的是哪一卷，谁抄袭了谁，谁引用了谁诸如此类。
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Love and loyalty are mere abstractions, however, without some sort of vehicle for their expression; and the vehicle for their expression then is God's Torah, the sum total of God's teachings and instructions and laws and guidelines, which are supposed to ensure long life and prosperity in the land.
爱和忠诚都是一种无法表述的吸引力,于是律法卷就成了表述它们的方式,即对上帝的教诲，指导，律法和方针的,汇总，它将保证这片土地长久的,繁荣。
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In the invocation to Book Nine of Paradise Lost, Milton describes and it's wonderful to see this representation of this process that, I think, we've been wondering about he describes the process by which the heavenly muse inspires, and he says inspires nightly, the composition of his epic.
在《失乐园》第九卷中，弥尔顿描绘了,看到弥尔顿对这一过程的描述很是奇妙，我们都对这一过程很好奇,弥尔顿描绘了天神缪斯启示他，他说是在晚上启示的，启示他写作史诗的过程。
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Some scholars have pointed out that in Book II of the Iliad in the section that we call, "The Catalog of Ships," The poet lays out just exactly how many warships came to Troy fromGreece, and just exactly how many came from each town.
有学者指出在《伊利亚特》第二卷,《船舶名录》这一章节中,诗人准确地列出了从特洛伊出发到希腊的,战舰的数量,而每个城镇又各有多少
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This is the song mentioned in Revelation 14 that Milton is continually alluding to and we saw him allude to just this passage in Ad Patrem.
这时《启示录》第14卷里面提到的4,弥尔顿一直在暗指这一段,他在Ad，Patrem中也暗指了这一段。
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