With "Mowing" as the example, I said that in Frost, meaning is always something made, something the poet works on and works for.
用“割草“做例子,我说过对弗罗斯特来说,意义总是一些事情体现出的,是一些诗人一直致力于的,一直追求的。
It is, in fact, a very deliberate and self-conscious repudiation of that late romantic aesthetic that Yeats's early book, and even the cover of that early book, represents.
实际上,这是一种非常从容不迫有意识的,对早期叶芝的书里体现出的后浪漫审美的抛弃,甚至连早期那本书的封面,都体现出了这种倾向。
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