They show us a poet taking language apart and putting it back together in new ways, new configurations, new anatomies.

它们给我们呈现的是一个顾此即彼的诗人,以新方式把他所言重新组合，新的形态，新的躯体。

耶鲁公开课 - 现代诗歌课程节选

Rosenberg is giving us an anecdote from the trenches, and yet it slips very quickly into a sense of fable.

罗宾森给我们呈现战壕中的轶事，它很快成为一个无稽之谈。

耶鲁公开课 - 现代诗歌课程节选

And that brings me to my final point about our Hobbesian civilization that conceals from us a very uncomfortable truth.

接下来我要讲的,是霍布斯现代文明观的最后一个观点,它将把一个残酷的现实呈现在我们面前。

耶鲁公开课 - 政治哲学导论课程节选

So what O'Connor does, is she presents a sense of the world imbued with structure and meaning, but a structure and meaning that looks essentially blank.

所以奥康纳所做的是，呈现一个充满了构架,和实义感的世界，只不过这些构架和实义,看起来完全是空无一物的。

耶鲁公开课 - 1945年后的美国小说课程节选

So one very simple study by Spelke and Baillargeon: Have babies shown a block with a bar going back and forth like that.

斯皮克和巴亚热昂做了一个简单的研究,向婴儿呈现一个木块,木块中间有一个能够来回移动的木杆,就像这个样子

耶鲁公开课 - 心理学导论课程节选

The romance heroine is often threatened with rape, but by her cleverness or by good luck or a concatenation of forces ; she can always invariably avert that tragedy; and by the end of the work she can present herself to her future husband as a virgin.

这位传奇的女英雄总是被强奸所威胁，但是多亏了她的机敏，或是走好运，或是一连串的军队暴力,她总是能避免悲剧;,在作品的最终,她呈现在未来丈夫面前的仍是一个处女。

耶鲁公开课 - 弥尔顿课程节选

The building of buildings in the shape of what the Greeks called a megaron, a rectangular center, which has a hearth in it, a front porch, and a back porch which will be the style in which Greek temples are built in the historical period.

建筑物呈现出希腊人所称的,中央大厅的形状,一个矩形的大厅,有一个壁炉在中间,一个前走廊,和一个后走廊,具有古希腊神庙的风格,修建于有史料记载的时期

耶鲁公开课 - 古希腊历史简介课程节选

If this was a sickle patient, so they had this gene instead it wouldn't get cut and when I went to look for that presence of that gene on this gel, it would appear as one large segment instead of a large one and a smaller one.

而如果是个镰状红细胞贫血的病人,他们的基因是不会被限制酶切割的,因此他们基因的凝胶电泳结果就不会呈现,一大一小的结果,而只有一个大的片段

耶鲁公开课 - 生物医学工程探索课程节选

Texts that insist on a central sanctuary are probably Josiah's time or later. And there are many sections of P that don't seem to assume a central sanctuary.

一些章节坚持中心圣所,则可能在约西亚或之后时期，P资源中有很多部分,并没有呈现出一个中心圣所。

耶鲁公开课 - 旧约导论课程节选

Well, you could show the baby a green patch, a green patch, a green patch, a green patch; the baby'll get bored, then a red patch.

你可以向婴儿呈现一个绿色色块,将这个绿色色块不停的重复呈现,婴儿便会感到厌倦,然后呈现一个红色色块

耶鲁公开课 - 心理学导论课程节选

Well, you could put a baby down, have a picture of a dog here, a picture of a cat here, and see which one the baby looks at.

你可以抱来一个婴儿,在这里呈现一张狗的照片,在这里呈现一张猫的照片,然后观察婴儿会看哪一张照片

耶鲁公开课 - 心理学导论课程节选

I think it does factor into her sense that the truth she is accessing, or the truth that she is trying to present to the world in her stories, is one that even a child might be able to understand.

我想这确实是一个因素能让她觉得,她所触及的事实，或者说她通过故事向世人呈现的事实，连一个孩子也可能理解。

耶鲁公开课 - 1945年后的美国小说课程节选

Now, why the Fat Lady? It's this mythical, incredibly humanly embodied-- whenever you see a fat lady in a novel, one of the first things you want to ask is: why does that person need to be excessively embodied?

现在，为什么是胖太太，这是个神话，人们呈现了，无论你什么时候看到一个胖太太,在小说里，你首先会想问：,为什么那个人需要被这样过多的描写呢？

耶鲁公开课 - 1945年后的美国小说课程节选

So, if language seems exhausted because it's always preceding you, everything has always already been said, there's no new plot to be had, the world is full of stock phrases, how do you use them to embody an experience that seems fresh to you?

所以，如果因语言，在你之前就存在，而它就显得枯竭，如果一切都已经被说过，如果已没有新的情节可供创造，如果世界一直充满陈腔旧调，你如何能够用它们,呈现出一个崭新的体验？

耶鲁公开课 - 1945年后的美国小说课程节选