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He says in another moment, "I was Mexican." He's always trying to be more exotic than himself, than simple Sal Paradise.
在另一个时刻他说过：“我是墨西哥人“，他总是在,设法让自己变得更具有异国情调，而不做那个简单的萨尔。
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There is no border in the West. So Sal has to reinvent one, and in some sense it's a border of time.
西部里本身没有什么分界线，所以萨尔必须新发明一个，他所分的界限可以说按照时间来的。
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Sal in this moment becomes so naive, naive of history, of actual lived history of his own country.
因为萨尔在这一刻变得非常无知，对自己国家的真实历史非常无知。
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So, I'm moving from the question of "What does America look like; what's the mythic vocabulary that Sal is using?"
这里我要从，“美国看上去像什么？,萨尔使用的神话词汇有哪些“，的问题跳到“
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So, this is Chad King talking to Sal Paradise: A quavering twang comes out when he speaks.
以下是乍得王对萨尔·佩拉提斯说的：,他说话时带一阵颤动的鼻音。
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Rather, it is another kind of language that he represents that will be that kind of germ of what Sal is looking for.
相反，是代表他自己的另一种语言,倒还有一点大师的意思。
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So, this is the sadness of the novel.It's this unrequited love; Dean is never capable of loving Sal in the same way that Sal loves Dean.
所以这也是这本小说的悲伤，是这个无回报的爱情;,迪安从没能真正像萨尔爱他一样爱过萨尔。
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Remi won't have Dean in the car, so the car drives on. Sal is with a new girlfriend, Laura,about to whom he's told all about Dean.
雷米的车里没有迪安，这辆车开向前方，而萨尔正和一个新的,女友劳拉在一起，曾经萨尔向她讲过所有关于迪安的事。
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The thing I always liked, Sal, about the Plains Indians, was the way they always got s'danged embarrassed after they boasted the number of scalps they got.
萨尔，我总喜欢大草原印第安人的一点，就是他们在吹嘘自己得了多少头皮之后,总会难堪。
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I was only myself, Sal Paradise, sad, strolling in this violet dark, this unbearably sweet night wishing I could exchange worlds with the happy, true-hearted, ecstatic Negroes of America.
引-我只是我，萨尔·佩拉提斯，无精打采地徘徊在这个，温柔的难以忍受的夜晚，多希望自己能够变成,一个快乐，真诚，热情奔放的美国黑人。
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That's where the new language is going to come from, and you can see how Sal assimilates that on page 35.
新的语言就是从这些而来的，在35页你能看到Sal是怎么吸收这些语言的。
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If George Dardess is right that this is a love story, it's the love story between Sal and Dean.
如果就像George，Dardess所说，这是个爱情故事，那么这是萨尔和迪安的爱情故事。
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Well,I think that's a pretty clear-eyed view,and a clear indictment, of what Kerouac is doing through the character of Sal.
这是看这本小说的一个很清晰的视角，对Kerouac为萨尔这个角色赋予的东西而申诉。
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Dear Sal, sweet Laura. I've come, I've gone, but wait, ah, yes," and he stared with rocky sorrow into his hands. "Can't talk no more.
亲爱的萨尔，温柔的劳拉，我已经来了，我马上要走“,可等等，嗯，是的“，他盯着自己的手，脸上露出不安的神情。
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So, he finally realizes that Sal actually has a specific love for him, not caring about him somehow in principle, which is the way of course that Dean cares.
所以最后他了解到萨尔对自己有真正爱的付出，原则上是不能在乎的，但迪安当然很在乎。
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But this is mirrored by Sal's very specific investment in Dean, and this is on the bottom of the facing page, on 189: Resolutely and firmly I repeated what I said.
不过也反映了萨尔对迪安非常具体的付出，在这页189的底部：,我加重语气重复了一遍我说过的话。
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They're driving out of Mexico, Sal and Dean, and they meet indigenous people along the road.
萨尔和迪安正开车离开墨西哥，他们在路上,遇见了各种当地人。
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His desire for the intellectual download from Chad is not what's going to make him the figure of the new language for Sal.
他渴望从乍得那里像下载一样地获得的知识,并不会使他成为新的语言大师。
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This is one of his friends: "'Sal, where did you find these absolutely wonderful people?
他的一个美国朋友说：,“’萨尔，你在哪里碰到了这么有意思的人？
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And that moment when Sal meets Dean at the door, and he's naked; it's reflected when he sees Dean with Camille.
当Sal在门口见到迪恩时，他光着身子;,这也发生在他见到迪恩和卡米尔在一起时。
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What else is sad? It's sad when Dean leaves Sal feverish in Mexico.
还有什么是悲伤的？，当迪安在墨西哥离开发烧的萨尔时。
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Now look on 172. This is Sal in one of his major moments of vision.
现在看172页，萨尔处于最重要的一个景象中的时候。
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you can see that already Sal is taking what he can get from this language and transposing it into his experience of reality.
你会看到Sal在说他能从这语言中得到什么,并转换成他的现实经历。
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But this is a type with which Sal longs to merge.
但这是萨尔渴望融合进去的一类美国人。
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