• For the most part, they are rather impersonal and anonymous and that is in many ways the characteristic of Hobbes' sovereign.

    就大多数而言,他们只是公众眼里的无名氏,这才是霍布斯眼里,君主应当具有的特性。

    耶鲁公开课 - 政治哲学导论课程节选

  • They were an eager, restless, talkative, ignorant bunch, but casually kind and impersonal for all that.

    她们活泼开朗,多事健谈,庸俗无知,但很随和,看东西都很可观。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • But, because of the logic of risk management we have to make a deal with them; so, it becomes more formal and impersonal.

    但是,基于风险管理的逻辑,我们必须和他们达成协议;,使分摊正规化而不受主观情绪的影响。

    耶鲁公开课 - 金融市场课程节选

  • There's something in Eliot's--the presentation of Eliot's work and indeed in the work itself that is affronting, resistant, impersonal. And the typography, the presentation of the book is part of that.

    艾略特的作品中有一点别的意义,作品展现出来的,本身有点冒犯,具有反抗性和个人性,印刷和,外观也展现了那些特征。

    耶鲁公开课 - 现代诗歌课程节选

  • Machiavelli speaks of the prince, while Hobbes speaks of the sovereign, that is a kind of impersonal or in Hobbes' language, artificial power created out of a contract.

    马基雅维利探讨君主,而霍布斯则探讨主权,这算是不受个人感情影响的,在霍布斯的说法里,君主的权力是由契约产生的。

    耶鲁公开课 - 政治哲学导论课程节选

  • We have to resist excessive commitment to this idea of it being a center, but it is at least not a center which somehow stands outside of itself and is a center only in the sense that it is some remote, hidden, impersonal, distant cause.

    我们必须反对对这个观点过多的承诺,这个人为它是中心的观点,但它至少不是一个,以某种方式处于自身之外的中心,而只在某种意义上是中心,比如说,它有些偏僻,隐蔽,客观,遥远。

    耶鲁公开课 - 文学理论导论课程节选

  • So Nabokov imbues that state of impersonality with certain kinds of emotion and then asks the reader to be as impersonal as that modernist artist also must be.

    所以纳博科夫用某些特定的情感,来营造非个人化的境界,让读者像现代主义艺术家那样非个人化。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • Pagan religions contain theogonies, birth of a god, "theogony", accounts of the births of gods. Now this impersonal primordial realm, Kaufman declares, contains the seeds of all beings.

    异教有神谱,神族谱系,用来记载诸神的诞生的,考夫曼认为,这个可观存在的原始领域包含了万物的本源。

    耶鲁公开课 - 旧约导论课程节选

  • It is impersonal imagination and artistic delight.

    是客观想像和艺术的愉悦感。

    耶鲁公开课 - 1945年后的美国小说课程节选

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