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Milton wants to write an epic that in some ways comes before, or prevents, the great epics of Homer and Virgil.
弥尔顿想写一首在某种程度上先于，荷马和维吉尔伟大史诗的史诗。
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In this respect it would resemble Spenser's Faerie Queene, or perhaps more importantly, Virgil's Aeneid -- other nationalist epics.
这样的话它就会与斯宾塞的《仙后》，更重要的，维吉尔的《埃涅阿斯记》等一些民族主义史诗相类似。
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this is the period in which the Homeric epics are finally written down now that there is writing and that gives them,I think, even greater impact on the Greek world in the future.
这个时期是就是荷马史诗最终写就的时期,所以那时有了文字,而这对他们,对希腊世界的未来,我认为产生了更大的影响
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It's the ottava rima in which all of the great Italian romance epics by poets -- favorite poets of Milton's like Ariosto and Tasso -- had been written.
这是弥尔顿所钟爱的所有伟大的意大利浪漫诗人,例如阿里奥斯多和塔索,曾经用过的体裁。
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It's to admit that this is in fact a late epic and that it derives from a close, studious, student-like imitation of the great epics of Homer and Virgil.
也就等于承认它事实上是一部晚期的史诗作品,是源自于雷同的，学究气的，小学生般的,对荷马与维吉尔写的伟大史诗的模仿。
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They are steeped in the entire literary tradition of the underworld journey that stretches from The Odyssey of Homer up through Virgil's Aeneid, and of course up through all of the Renaissance romance epics.
它们被浸泡在整套文学传统中,穿越了从荷马的《奥德赛》上升到,维吉尔的《埃涅阿斯纪》的地下之旅，当然它也经历了所有文艺复兴时期的浪漫史诗。
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in fact I want to use the word stitched together, because in the Ancient Greek world the people who sang, recited, created the poems of the Homeric epics were called rhapsodes, and that means stitchers of songs.
事实上,我想使用"串联"这个词,因为在古希腊,那些歌唱,朗诵,和创作《荷马史诗》的人,被称为吟诵者,就是说把诗歌串联在一起传唱
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