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In the second verse paragraph, Milton tells his father: "do not despise divine poetry, creation of the prophetic bard.
在诗的第二段，弥尔顿对他父亲说：,不要轻视神圣的诗歌，诗人预示性的创作。
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They were stories of a god who violently slays the forces of chaos, represented as watery dragons, as a prelude to creation.
他们是上帝凶狠屠杀混乱势力的故事，以充满水的巨龙为代表，是创世的序幕。
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I think it's telling that this kind of creation is a failure; it cannot succeed in the confines of this novel.
我想这告诉我们这种创作是失败的;,它在这本小说的界限内无法成功。
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Look at line 120. Milton writes that this choir had been singing at the moment of creation. Not bad.
看到120行，弥尔顿写到这个唱诗班是在一个,创作的时刻唱歌的，不是不好的时刻。
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The creation of the just city can only begin," he says, " "with the control of music, poetry and the arts."
他说：，“正义之城的建立，仅能开始于控制音乐、诗学与艺术“
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As far as I know, Skinner and Skinnerian psychologists were never directly involved in the creation of prisons.
据我所知，斯金纳和斯金纳行为主义心理学家们,从未直接参与过监狱的创建。
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The creation almost of a clean slate, even more so I would argue than the disruption that it came after the fall of Rome, because there's one big difference.
这几乎就是从一张白纸重新创作,甚至比起,我认为,比起紧随罗马陷落而出现的分裂更有价值,因为这两者有一个巨大的差别
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But it's almost as if Milton were tempted now to make himself go even further back, to write a humble ode that he could place at the feet of the Creator, the Creator at the moment of the actual creation of the entire universe.
但弥尔顿那时好像,要把自己放回比那还要早的年代，来写一篇谦逊的颂歌安放在造物主的脚下，那时的造物主实际就是创造天地万物的神。
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A long process of transmission, interweaving, literary embellishment has gone into the creation of this account in Exodus 14 and 15.
经过长期的流传，混杂以及润色,就有了《出埃及记》14和15中的故事。
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With Jacob, who is now Israel, God seems perhaps to finally have found The working relationship with humans that he has been seeking since their creation.
在成为以色列人的雅各布身上，上帝似乎终于找到,与人类的劳作关系,他自创世起一直在寻求这种关系。
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The first creation story doesn't really contain puns and wordplays, it's a little bit serious. The second creation story is full of them: there are all sorts of little ironies and puns in the Hebrew.
第一个创世纪故事中很少有双关语和文字游戏，有几分严肃，第二个故事却充满了这些：,希伯来语中有许多反讽和双关。
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Finally, let's talk about the image of the world That emerges from the creation story in Genesis 1.
最后让我们来谈谈世界的景象,在《创世纪》第一章中所体现的景象。
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So creation in Genesis 1 is not described As a process of making something out of nothing: creation of something out of utter nothing.
因此在《创世纪》第一章中并没有描述开创,没有从虚无中创造事物的过程：,从完全的虚无中有所创造。
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Please be on the look out for emails from section leaders with ; study guides for sections which will be meeting this week; you'll have a lot of fun with the creation stories.
请大家留意助教的邮件,上面会有，对下堂课的一些指导;,你会从阅读创世纪的故事中，得到很大乐趣。
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Creation is always the result of procreation in some way, male and female principles combining.
从某些方面来说，创造常常是生殖的结果，是男性和女性的结合。
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Today, I want to talk about Hobbes' theory of the sovereign state, the creation of the sovereign.
今天，我会着重讲讲,霍布斯关于君权的产物，即主权国家的理论。
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