The very structure, in fact, of Milton's poem here is what Dr. Johnson would be obliged to call a remote allusion.

约翰逊称弥尔顿这首诗的结构,是遥远的幻境是不得已的。

耶鲁公开课 - 弥尔顿课程节选

But wouldn't it be nice to just have a certain period of time every day when you didn't have to even have it be ? so much as a remote possibility?

但要是每天能有一段特定的时间,死亡对你来说,甚至连一个遥远的可能性都不是,那岂不是很好？

耶鲁公开课 - 死亡课程节选

How do we put ourselves in touch with the text which may after all in a variety of ways be remote from us?

文本在各种方面距离我们如此遥远,如何与之发生联系？

耶鲁公开课 - 文学理论导论课程节选

Now the surest sign of a hurdle is one of those pointed literary allusions that Milton makes in Lycidas, one of those remote allusions that Johnson had complained about.

如今关于这道坎的最确定无疑的迹象就是,他在里作出的那些文学臆想,即约翰逊曾经抱怨过的那些不切实际的幻想。

耶鲁公开课 - 弥尔顿课程节选

Maybe the right way-- imagine somebody who was in a room with remote control television setup and so forth and so on.

也许正确的思路是...,想象某个人在一个房间里面,拿着一个类似于电视遥控器之类的东西

耶鲁公开课 - 死亡课程节选

It's difficult to imagine that as an expression of genuine grief over the death of a genuinely close friend would take the form of a poem so learned, so filled with remote literary allusions and obscure opinions.

这首诗是为表达对挚友逝去的真挚悲痛,却采取了这样一种如此博学，如此充满,遥远的幻境和隐晦的观点的形式,这确实是难以想象的。

耶鲁公开课 - 弥尔顿课程节选

We have to resist excessive commitment to this idea of it being a center, but it is at least not a center which somehow stands outside of itself and is a center only in the sense that it is some remote, hidden, impersonal, distant cause.

我们必须反对对这个观点过多的承诺,这个人为它是中心的观点，但它至少不是一个,以某种方式处于自身之外的中心，而只在某种意义上是中心,比如说，它有些偏僻，隐蔽，客观，遥远。

耶鲁公开课 - 文学理论导论课程节选