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A narrative theory is always talking with some satisfaction about how there's no such thing in fiction as irrelevant detail.
一个叙述性的理论通常都在讲述,小说中没有细节是完全和主题无关的这一满足感。
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Some of these terms that he uses are literary climax, the creation of suspense so he's tracking this as if it were the development of a narrative.
用文学语言来概括的话就是,“高潮“制造悬念,书中的陈述不断进行。
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It starts off with a narrative about a vision.
它以一段预言为开篇。
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And the Former Prophets include the books of Joshua, Judges, 1 and 2 Samuel, 1 and 2 Kings. They read as a historical narrative.
前先知书》包括《约书亚书》《士师记》,《撒母尔书1-2》《列王记1-2》它们被当作史料。
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Embedded within the explicit plot of the simile is a secret, a kind of buried narrative, and it's a hidden story that illustrates Satan's self-destruction.
深藏在这个比喻精巧的情节布局里的，是一个秘密，一个被深埋已久的故事，一个隐藏着的，阐述了撒旦自我毁灭的故事。
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If you start thinking about narrative arcs-- imagine a novel, right?
如果你想想生命叙事线-,想象有一部小说？
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I fully understand the value of what you are driving at, but frankly, the narrative as it now stands simply will not support a more general or hopeful conclusion.
但你的提议太含糊不清，说实话，你说的,无助于更好的结局。
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He is obedient to God in a way that no one has been up to this point in the narrative, But perhaps ultimately the model of blind obedience is rejected, too.
他如此顺从于上帝,到目前为止的叙述中，从未有人如他这般，也许最后，这种盲目的顺从也被否定了。
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It contains a lot of narratives and its narrative materials are an account of the odyssey of a people,the nation of Israel.
它包含很多的故事,而且故事是取材于,奥德塞中的人物，取材于以色列这国家的。
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The story of the Battle of Jericho is really a composite of two accounts that have been woven together into a single narrative.
耶利亚哥战役的故事实际由两部分组成,它们被交织改编成一个故事。
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And then it goes into this wild videogame, MTV-style narrative of a heavenly journey of this guy John.
接着描写了这位约翰的，疯狂电玩兼MTV式的天堂之旅。
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So Deuteronomy's content, which are these farewell speeches and the death and the burial of Moses, are a fitting capstone to the Pentateuchal narrative.
申命记》的内容，是一些告别辞,摩西的死亡和埋葬，正好作为摩西五经叙述的顶点。
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So the exodus is a paradigm for salvation, but it would be a mistake, I think, to view the Exodus as the climax of the preceding narrative.
出埃及是救赎的范本，但我认为，这也许是个错误，把《出埃及记》当做前面叙述的高潮。
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This is a moment when the narrative voice begins to split in a very conscious way.
一种很有意识的声音,因而成了双重声音。
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So, that's the first point: It's material. The second point is that narrative has a form, and that it can be constructed, built.
这就是我第一个观点：它是物质的，第二个理由是,叙述故事有一个框架，它可以像一个手工品一样。
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Some of these books which we think are roughly from a certain date, they will contain narrative snippets or legal materials or oral traditions that may even date back or stretch back further in time, and they were perhaps transmitted orally and then ended up in these written forms.
有些篇章只是被我们粗略地认为出现于那个年代，其中包含的故事片段或律法材料或口头传统,其实也许能够追溯到更久远，所以这些很可能一开始是被口头传播,后来才用文字形式记载的。
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