This continuity of the two scenes next to each other really does not make a lot sense to me.

就我个人而言,这两幕的衔接很说不过去。

麻省理工公开课 - 电影哲学课程节选

And so what I'm going to do is just now run through the next two or three scenes and talk about why they're set next to each other.

因而我现在只是讲一下,接下来的两三个场景,并谈谈他们被放在一起的原因。

耶鲁公开课 - 1945年后的美国小说课程节选

in his great depiction of hell in Books One and Two) to avoid the standard epic scenes of the torture of the damned, for example, with which we're familiar if we've read Homer or Virgil or, of course, Dante much later.

在他第一和第二册书对地狱的精彩描述）,去避免提及传统史诗中关于恶者被折磨的场景，例如我们所熟悉的那些场景,如果我们读过荷马的，维吉尔的，当然还有但丁的作品。

耶鲁公开课 - 弥尔顿课程节选