He responds to this grievous loss privately by taking it on himself, by seeking to master it himself, and specifically as a worker.
他私下里对失去孩子的痛苦的反应,是自己承受,努力地自己承受,尤其是作为一名工人。
The best example is when Julius Caesar has made himself master of Rome, but he's still behaving as though the republic exists.
于此最好的例子是,当尤利乌斯·恺撒成为罗马的统治者时,他仍然表现得仿佛共和体制仍存在似的
So it was a theme of the period and Freud's Beyond the Pleasure Principle contributes to this theme. Brooks himself likes to -- refer to the text of Beyond the Pleasure Principle as itself a master plot-- in other words as having a certain fictive character.
所以不难发现,这就是弗洛伊德时期的一大主题,而那本《超越快乐原则》也就响应了这个主题,布鲁克斯,本人很喜欢引用《超越快乐原则》中的片段-,换句话说,就好像有一个虚构的角色。
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