This is a powerful image about racial separation in society at that time.
VOA: special.2009.03.23
All of this monistic philosophy, I think, is implicit in the image of divinity's impregnation of the vast abyss.
这所有的一元论观点,我认为,都可从神灵孕育洪荒这一意象中看出来。
Moreover, this earthling that seems to include both male and female, is then said to be in the image of God.
而且,这地球生物中似乎既有男也有女,他们依照上帝的形象。
Hartman associates this image of Milton's standing ab extra with the figures in so many of those similes who seem also to be standing ab extra.
哈特曼把弥尔顿从外俯视的形象,和他众多的明喻中似乎也置身局外的形象,相联系进行思考。
Yes. Okay. Sometimes I do get students who have just an image of this novel in their mind, or they read it when they were in high school and have a sort of irrational, passionate love for it.
好的,有时候我的确会有一些学生,他们脑子里有一个这部小说的形象,或者在高中里读过,对之有一股毫无理由的热爱。
So Mozart may have had this image in mind of the damned and the left, but he sure was able to set it--this text-- through music by using a couple of devices.
因此莫扎特脑海中可能记住了,左侧受诅咒的人的画面,但他肯定通过若干乐曲技巧,用音乐表现出了文本内容
The most famous climb upward, although we will not actually read these parts for this class, concerns the climb to the divided line, the famous image of the divided line in Book VI, and the ascent to the world of the imperishable forms.
最著名的向上攀升,但我们不会实际,在本课中阅读,这些关于攀升到分界线的段落,著名的分界线景像出现在第,VI,部,上升到,不朽形式的世界。
And so in this perspective we have an image of the awesome power of the Deity Himself thundering away behind every jot and tittle of Milton's great epic.
从这个角度,我们能看到,上帝的神力隐去了,藏到了弥尔顿的史诗的一点一滴中。
I think there's a connection here between the image from the commonplace book and the treatment in Milton's mask of this strangely conjoint phenomenon of virginity and speechlessness.
我认为,笔记书中的形象,和弥尔顿《面具》中有关童贞和无语这一共同现象,是有联系的。
It's with this image of a brooding impregnation that Milton announces the presence in his poem of his most potent, what I think is the most interesting, theological innovation that he comes up with here.
正是通过这个孵伏怀孕的形象,弥尔顿在这里宣告了他在这首诗中,最具潜力,最有趣的神学新观点。
And a sign of the humans' importance is the fact that Humans are said to be created in the image of God, And this occurs in Genesis 1:26, "Let us make man in our image, after our likeness."
另一个表明人类重要性的事实是,人类是依着上帝的模样创造的,这是《创世纪》第1章第26节中讲到,“让我们依着自己的模样造人,与我们相仿“
Later writers take this poetic image and fill out the allusion to - drowning in this ancient song, and compose the prose accounts in Exodus 14, in which the metaphor is literalized.
随后,作者利用这个场景,用这个古老的歌谣进行影射,创作了这一段白话诗,《出埃及记》14,在这段文字中的暗喻被文学化了。
Wright revised this image in those drafts.
进行了修改。
I think this is an important distinction because what you have here in the middle of this simile in Milton's account of hell is an image of a bower.
我认为这是一个非常重要的区别,因为读到半途,弥尔顿对地狱的描述仅给了我们一个阴暗的印象。
And so it would seem to be Dante's use of the image that has a primary influence here on Milton, but, as we might expect, there is a complication in the way that Milton uses this particular image.
因此但丁对这个比喻的应用,对弥尔顿有最深刻的影响,但是,如我们期待的,这里弥尔顿在运用,这个特别的比喻的方式上,有一点复杂。
Virtue is invariably rewarded with glory and evil evil is always punished. In this amazing image, it's gathered like scum in some eternal cesspool ! where it's self-fed and self-consumed -- problem solved!
总能获得荣光,而邪恶,总会受到惩治,这是个绝佳的画面,邪恶像是永远堆积在粪坑中的糟粕,只能自生自灭--这样就无可担忧了!
In fact, there's a rabbinic image, there's a rabbinic tradition that talks about this period of time, and has God and Moses talking, and God says: Listen, between the two of us, whenever I blow hot, you blow cold, or when I pour hot water, you pour cold, and when you pour hot, I'll pour cold, and together we'll muddle through, and get through here.
事实上,这里有一个与犹太律法相关的意象,犹太律法传统,描述了这段时间中,上帝和摩西又一次谈话,上帝说:“听着,在我们两个人中间,当我吹热风,你要吹冷风,当我泼热水,你要泼冷水,当你泼热水的时候,我们泼凉水,我们将一起应付各种情形。
Finally, Dante alludes to this image of the Virgilian underworld in The Inferno when he describes the descent of humanity, the evil seed of Adam, into the Christian hell.
最后,但丁又在中描述到人性的败坏,亚当在基督教的地狱中撒下的邪恶种子时,含沙射影了维吉尔关于地狱的描写。
The heaven in this poem is so far from being the incorporeal - the spiritual heaven of orthodox Christianity that you have an image of an actual orgy, the festal orgy raging under the thyrsus .
这首诗所描绘的天堂与正统基督教所宣扬的,非物质的,精神的天堂是如此大相径庭,弥尔顿描绘了一副纵欲狂欢的场景,在神杖下纵欲狂欢。
The touching of the Lady's lip touches us in other ways as well though, at least in this lecture, because we remember that unfortunate, that horrifying image of the lip that Milton had noted in the commonplace book.
碰触女士的嘴唇也在其他方面感动了我们,至少在这一讲中,因为我们记得那不幸的,充满畏惧的嘴唇的形象,那是弥尔顿在笔记中提到的。
But when you remember that the subject at hand is actually in some way sex, then you can begin to associate the Lady's image of this moderate consumption of natural wealth - with some version of -- if this makes sense -- some version of an act of sexual consummation.
但是当你们想起,现在讨论的话题其实是性,然后你们可以将这位女士,关于适量消费自然财富的形象,与一些版本--如果那有意义-,一些版本关于性圆满的行为联系起来。
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