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"We could look for beacons." "It could be that there are alien civilizations that have simply created something a little bit like a lighthouse that sweeps the plane of the galaxy, goes bleep, and it's there to attract attention, or it's a monument, or an aesthetic symbol or even a religious symbol.
VOA: standard.2010.04.16
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It's a religious image. It's also a gendered religious image; it's also an aesthetic image.
这是一个宗教场景，一个温柔的宗教场景;,也是一个具有审美意味的宗教场景。
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It is, in fact, a very deliberate and self-conscious repudiation of that late romantic aesthetic that Yeats's early book, and even the cover of that early book, represents.
实际上，这是一种非常从容不迫有意识的,对早期叶芝的书里体现出的后浪漫审美的抛弃，甚至连早期那本书的封面，都体现出了这种倾向。
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So, we have a kind of image there of the autonomous aesthetic pleasure, right, the pleasure of imagination that's taken alone, according to one's own thoughts rather than in some broader, more social form.
好了，这就是一种自发的美学享受的情景,对，这就是独自幻想的乐趣，它出自人自己的想法，而不是一些更宽广的概念，不是一些更社会化的形式。
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And there's this third axis called "style," which is really a more subjective aesthetic sense.
还有第三个中心线叫做“设计风格“,那是一个主观的审美学的观念。
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Milton's performing a similar boundary-crossing aesthetic gesture here.
弥尔顿在他的作品中也展现了这种美学上的边界交叉。
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I want it or I disapprove of it and, lo and behold, it's no longer aesthetic. I'll come back to that in a moment, but I hope you can see that that is a distinction between the purposive and the purposeful.
我会产生想法，比如想得到它还是觉得它恶心，你瞧，这样一来就不只是纯审美问题了，我一会儿再回来讲，但是我希望你们现在可以区分,“合目的性“和“目的性“这两个概念了，它们是有区别的。
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In addition Aristotle tells us such a person will possess beautiful but useless things suggesting the possession not only of wealth but of a kind of cultivated aesthetic sense.
此外，亚里士多德告诉我们,这类的人还将会拥有一些美丽,但无用的东西,不只拥有财富,还有一种经教化的美感。
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It's a kind of hauntedness that surrounds Nabokov's vision of aesthetic bliss as one's response to that autonomous artwork.
这样对艺术作品，自主性的回应,对Nabokov的审美幸福观点而言，是挥之不去的困扰。
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It looks like a leaf. It is nature in its aesthetic form as imitation of itself, life as an imitation of life.
它看起来像一片树叶，它是艺术,化的自然，模仿着它自己，用生命模仿生命。
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I'd like an integer please, a colon, and a space just for aesthetic reasons.
我想要一个整型数，一个冒号，和一个,使其更美观的空格。
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We say, "That's a nyewd," and that distinction is what, as it were, bears out the implicit way, the semiconscious way, in which all of us acknowledge there to be a category that we call the aesthetic judgment.
我们会说：“这是个裸体像“，这里面的区别，以一种含蓄的，半模糊的方式体现出来，通过这种方式，我们任何人都承认,的确有一种美学的判断角度。
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Inutile loveliness" is kind of the key word of Nabokov's technique, and he says the novel has as its only purpose to provide aesthetic bliss. So, here is inutile loveliness coming just from seeing the landscape as a stranger.
无用的可爱“是纳博科夫技巧的一个,关键词，他说小说只有一个目的，那就是提供,美学狂喜，所以这里的“无用的可爱“,是把风景当做一个陌生人看待。
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I think it's safe to say that we're intended to be shocked, ; maybe even repulsed, by this remarkable description of the deity; and so I'm hoping you feel something of a shock of these lines, "and mad'st it pregnant." Milton is taking a huge aesthetic risk here.
通过这不同寻常的对神的刻画，弥尔顿，应该是想要让我们震惊，甚至厌恶的;,因此我希望你们因这几句感到些许震撼，“使它怀孕“，弥尔顿在这里为了美感不惜冒了很大的险。
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These are setups of pieces on the chess board that have particular solutions. And they're very complex, and they have a kind of aesthetic form to them.
象棋有些设置是有专门的,解决方法的，很复杂，它们有一种美学在里面。
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In Nabokov there is, but it's usually aesthetic: how things look, the look of a hotel, the look of a field, the look of a child, the look of a woman.
在Nabokov的书中有：,不过一般是美学的：事物看起来怎么样，旅馆的样子，田地的样子，小孩的样子，女人的样子。
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And so, I would argue to you that Salinger imagines literature as a performance of this kind, a performance of a language of family love that is nevertheless also an aesthetic language.
所以，我认为Salinger想象的文学,作为这种家庭里爱的语言的表现,那至少也是充满美感的语言。
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