Well, it is the disclosure of error that other forms of discourse supposing themselves to refer to things remain unaware of.

好的，这揭露了一种错误，也就是,其它文体假设自己指出了其它一些人们从未意识到的问题。

耶鲁公开课 - 文学理论导论课程节选

So, that's one aspect in which it shares something with modernism, even though stylistically, and as a matter of craft and composition, it looks very distinct.

这是它涉及到现代主义的一方面，即使是从文体上，以及写作技巧上，它也是很独特的。

耶鲁公开课 - 1945年后的美国小说课程节选

It's a good sort of question that gets raised in such a problematic allusion: how do you set out to write an original poem within such a conventional genre like the epic?

对于这样一项有问题的引用,提出这些问题是很好的：,你怎么能开始写一篇标榜原创的诗作,却使用史诗这一传统的文体呢？

耶鲁公开课 - 弥尔顿课程节选

Today what I want to do is give you some sense of this body of writing.

今天我想做的是给你们灌输一些有关这种写作文体的概念。

耶鲁公开课 - 现代诗歌课程节选

That is the way in which de Man wants to think about the relationship precisely between literature and other forms of speech.

那就是德曼想要思考的一种方式,他想用这种方式来思考文学和其它文体之间的关系。

耶鲁公开课 - 文学理论导论课程节选

Again and again he says that the important thing is to insist on the difference between literature and other forms of discourse.

他一遍又一遍地说，重要的是坚持,文学和其它文体间的不同。

耶鲁公开课 - 文学理论导论课程节选

In the second half of the twentieth century and up now into the twenty-first century, writers were thinking very hard about what to do stylistically with all the innovations that come in that powerful period known as modernism.

自二十世纪下半叶,直至现今二十一世纪,作家都在努力思考在现代主义影响,深远的这个时期里该怎样进行文体上的创新。

耶鲁公开课 - 1945年后的美国小说课程节选

In the interest of time, I'm going to skip over a few other passages that I was going to read to you in reinforcement of this insistence, on de Man's part, that literature differs from other forms of discourse, the remaining question being: literature differs from other forms of discourse how?

由于时间关系，我将忽略一些其它的文章,我本想念给你们听，来巩固对这个主张的理解，对于德曼，文学与其它问题形式不同，剩下的问题是：,文学怎样与其它文体不同？

耶鲁公开课 - 文学理论导论课程节选