And Milton's asking in these lines not simply about actual erotic entanglements -- although I think that's there, a relation with women -- but it's a question about erotic poetry as well.
在这几句弥尔顿问的不仅是,实际的性的缠绵--尽管我认为确实有这一方面,同女人的关系--他也是在问情诗的问题。
For all of Yeats's reactionary moods, even for his indulgence in nostalgia here, he's not a nostalgic poet. And this poem I think shows us what I mean by that.
尽管他有保守的心态,此处也是沉浸在回忆中,但他不是个怀旧诗人,这首诗正表现这点。
Composed 1629" -- whether or not that's actually true, and there's some controversy about that -- but nonetheless, the subtitle announces to all who know John Milton that the poet was twenty-one years old at the moment of its composition and that he had therefore just reached his majority.
作于1629“-不管它是否属实,尽管对此也有一些争议,但它向所有知道他的人宣告,诗人创作这首诗时只有21岁,因此他已经超过了多数同龄人。
If Frederick Jackson Turner had anything right in "The Frontier Thesis", although he didn't pay hardly any attention to the South, this idea of a safety valve of a West to move to was surely there for slavery.
如果弗雷德里克·杰克逊·特纳,在《边境论》中有什么正确的言论,那就是,尽管他对南方几乎没有施以任何关注,即这个西进运动是一道安全阀的构想,显然是为奴隶制而设的
Even though there were people, mostly young men, willing and able to read to him, it's clear that the vast quantity of learning that gets poured - all of that erudition that gets poured into the pages of Paradise Lost - it's clear that this is not a product of Milton's last-minute review of the classics.
尽管有很多人,大多数是年轻人,愿意将材料读给他听,很显然这使得大量的知识被注入,所有这些广博的知识被注入到《失乐园》的字里行间,但很显然这不是,弥尔顿在最后一分钟对于古典文献回顾的产物。
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