In other words, it was written directly in the aftermath of a bombshell published by Leon Trotsky called Literature and Revolution in 1926.

也就是说，它是针对,1926年列夫托洛斯基发表的引起轰动的,文学与革命，而写的。

耶鲁公开课 - 文学理论导论课程节选

Trotsky is not simple-minded in his literary taste, and he doesn't just sort of spontaneously insist that everybody has to write socialist realism.

列夫，托洛斯基的文学品味并不单一，他也不要求每人都必须,按以社会主义现实主义写作。

耶鲁公开课 - 文学理论导论课程节选

The pastoral genre in fact even for Theocritus, its inventor, was always highly artificial.

甚至对于忒奥克里托斯，它的创始者来说，田园诗，也一直都是人工雕凿的。

耶鲁公开课 - 弥尔顿课程节选

This is the question raised by this dialogue in the Crito as well.

这个问题也,出现在《克里托篇》的对话中。

耶鲁公开课 - 政治哲学导论课程节选

Socrates seems to remain, even until the end, very much a kind of law unto himself while at the same time, again, providing Crito and others like him an example of rational and dignified obedience to the law.

苏格拉底一直到最后，似乎都保持着一种自我定义的法律,但同时，却也提供克里托及其它同类,一种理信,与庄严的服从法律范例。

耶鲁公开课 - 政治哲学导论课程节选