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Yeats develops this idea or develops another version of it in a somewhat earlier poem that's interesting in relation to this one.
叶芝进一步发展了这一想法,并在早期的一首诗里,写了另一个版本,那首与这首的关系很有趣。
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It's called Death and Transfiguration, and I hear this as a companion piece, a kind of pendant to the Zarathustra.
这首曲子名叫死亡与净化,我听说它是查拉图斯特拉的姊妹篇,某种对查拉图斯特拉的补充
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You could compare this poem to the poem placed last in Yeats's last poems called "Politics" that might seem to say something similar.
你们可以将这首诗与,叶芝诗篇的最后一首“政治“相比较“,它们可能会说一些相似的东西。
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I think now we can see why these lines about the autumnal leavesare so difficult for us to incorporate into a moral reading or a theological reading of the poem.
我们现在可以看到为什么,这些关于秋天的落叶的句子如此难以,与对这首诗的道德或者神学的理解相结合。
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The problem it's led to in my life revolves around the song "Get Crunk" because I've heard "Get Crunk" And my children asked me if I would buy them "Get Crunk" from iTunes.
我在生活中遇到的问题,与"玩旷课乐吧"这首歌有关,因为我听过这首歌,我的孩子们问我能不能,从iTunes上给他们下载这首歌
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No, the most immediately shocking aspect of the poem was its style, and we have to look at the actual poetic form by which this poem is constructed because the poetic form is absolutely integral to its meaning.
不是这样的，此诗最先让人感到震惊的是它的格式,我们需要看一下这首诗遵循的诗体,因为诗体与其意是一体的。
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The laurels and the myrtles that he addresses here are, of course, the traditional plants classically associated with great poets; but for Milton in this passage, importantly these plants simply aren't ripe yet.
诗中提到的月桂树和常青藤，传统上常常与伟大诗人相联系;,但在弥尔顿的这首诗，重要的是这些植物尚未成熟。
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So those are the three pieces and the issues there had to do with musical genre that we're going to talk a little bit more about in a moment, and the instruments.
就是这三首乐曲,与它们的音乐风格相关的知识,我们接下来会进一步探讨,还有关于乐器的知识
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The heaven in this poem is so far from being the incorporeal - the spiritual heaven of orthodox Christianity that you have an image of an actual orgy, the festal orgy raging under the thyrsus .
这首诗所描绘的天堂与正统基督教所宣扬的,非物质的，精神的天堂是如此大相径庭,弥尔顿描绘了一副纵欲狂欢的场景,在神杖下纵欲狂欢。
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