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So all of Book I is really a kind of warm up for what follows in the rest of the book.
所以整个第一册其实是,类似一种为往后各册所做的暖身。
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Next time reread for the third time - you will be repaid by your dedication - Books One and Two, this time focusing on the similes. Also, as I mentioned at the beginning of class, read the essays by Stanley Fish and Geoffrey Hartman.
下次再把这两册书读一遍,你们的付出终将得到回报,第一二册书，这次的重点在明喻上，同时，正如我在课的一开始提到的，看斯坦利·费什和杰弗里·哈特曼写的文章。
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There are, of course, dozens of figures taken from the texts of classical mythology who are alluded to throughout the first two books, but invariably they appear, just as Tantalus does in this very passage, within the context of a simile.
当然，这部作品有很多人物是取材自,经典神话故事，他们是用来表达隐喻的,贯穿着前两册书，他们始终出现，就像丹达罗斯在这一诗篇中，给予诗内容一种喻示。
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So the question, that question is posed, that objection is posed by Adeimantus, you remember, at the beginning of Book IV.
依循那个理性推断的话，所以问题被呈现出来，异议由，Adeimantus，提呈出来，记得吗？就在第，IV，册一开始的地方。
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As you may well have gleaned from your reading, the first books of the poem are particularly absorbed with the idea of forgetting, because more than any other part of Paradise Lost they display so ostentatiously the remarkable scope of Milton's own memory.
可能你们从阅读中也已经得知，这部诗的第一册,尤其表现了“遗忘“这一理念，因为相对于《失乐园》的其他部分,它们如此夸耀地展示了,弥尔顿自身记忆范围的宽广。
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Consider this passage in Book VIII of the Republic that I encourage you to read but is not on your assigned list.
细想出现在《理想国》第，VIII，册的以下这一段,我鼓励大家阅读,虽然它并未列在我指定的清单上。
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And again, recall this is the theme raised at the beginning of Book II by Adeimantus, who puts forward an idea of self-control, or what he calls self-guardianship as his goal.
不要忘了这个主题是在,第，II册一开始时由，Adeimantus，所提出，他带进了自控的概念，或他称为作为个人目标的自我守护。
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Whatever we may think about this view, whether we like it or don't like it or whatever your view might be, you must also confront another famous, more like infamous, doctrine that is also very much a part of Book I.
无论我们会如何思考这个观点，也无论我们喜欢与否,更不管你的观点为何，你都必需要面对另一项著名，或更像是恶名，同样也是在第，I，册提及的学说。
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