习碑之风则盛于清，最终形成了“碑学”。
Practices wind of Sheng Yuqing tablet, has formed "the tablet study" finally.
“道咸画学中兴”说的笔墨主要就是“湿、浓、黑”三墨与“碑学用笔”的结合。
The brush and ink technique in "the Resurgence of Painting Theory During the Daoguang and Xianfeng Period" characterized by the combination of "wet, thick and black ink" and "epigraphy-brush".
进入二十世纪，碑学成为书坛的主流，传统帖学开始走向边缘化，很少受到书家的关注。
Since the 1900s, Stele Theory has becoming the main trend of the calligraphy field, Model Calligraphy has been marginalized, and they were received little attention by the calligraphers.
20世纪以来，书法研究者常常以沈曾植为碑学大家，在一定程度上忽略了他在帖学方面的成就。
Investigators have usually treated Shen as a great master on "Bei" School, but ignored his achievements on "Tie" to some extent since 20th century.
20世纪以来，书法研究者常常以沈曾植为碑学大家，在一定程度上忽略了他在帖学方面的成就。
Investigators have usually treated Shen as a great master on "Bei" School, but ignored his achievements on "Tie" to some extent since 20th century.
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