碑学，是研究考订碑刻源流、时代、体制、拓本真伪和文字内容等的学问，也指崇尚碑刻的书法流派，与“帖学”相对。碑学有“专指北碑”“北碑加篆隶”“北碑加上唐碑”等三种基本含义。碑学始于宋代，兴盛于清代中叶以后。
习碑之风则盛于清，最终形成了“碑学”。
Practices wind of Sheng Yuqing tablet, has formed "the tablet study" finally.
“道咸画学中兴”说的笔墨主要就是“湿、浓、黑”三墨与“碑学用笔”的结合。
The brush and ink technique in "the Resurgence of Painting Theory During the Daoguang and Xianfeng Period" characterized by the combination of "wet, thick and black ink" and "epigraphy-brush".
进入二十世纪，碑学成为书坛的主流，传统帖学开始走向边缘化，很少受到书家的关注。
Since the 1900s, Stele Theory has becoming the main trend of the calligraphy field, Model Calligraphy has been marginalized, and they were received little attention by the calligraphers.
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