强尼·多兹独奏的这段乐句有多长呢。
路易斯·阿姆斯特演奏的乐句有多长呢。
还是很难听出，这里面的旋律或者乐句。
It's hard to know again what the melody is or what the phrase is here.
我们称这它为乐句a。
尾章：一个主题或乐句的结尾部分；
乐句处理多以“句句双”出现。
Phrase in order to deal with more than "double sentence" there.
乐句一句与一句之间是逐层的改变。
可以说是开启一切，我们可以把它当做先行乐句。
It sort of opens things up, and we refer to this as the antecedent phrase.
强烈的摇摆感且乐句永远充满创意！
连线表示这个乐句的弧线；
他们就是不断重复同样几名简单的短乐句。
而且mod包可以对乐句进行转换，如置换或者换向。
Also, the mod package lets you perform transformations on phrases, such as transposing or inverting.
这一乐句要奏成断音。
想想一行乐句是什么样的，一组呢，这是一个音？
Think of one line. Think of a group of lines Here's one sound.
注意第二乐句中的切分音，重音在第一拍之后出现。
Notice syncopation in the second phrase where the accent falls after the first beat.
倾听音乐的节奏、乐句，特别是音乐给你的感受。
Listen to the beat, the phrasing, the especially the feeling of the song.
注意第二乐句中的切分音，重音在第一拍之后出现。
Notice syncopation in the second phrase where the accent falls after the firstbeat.
但是也许在我们认识音乐的句法之前，我们需要先弄清这些乐句是什么？
But maybe even before we can recognize the syntax of music, we have to figure out what a phrase is.
接下来我们可以，弄得更复杂一些，同时让许多乐句单独进行。
Then we can take this and turn it into something a lot more complex with -singing a lot of lines going their own way.
每两个或三个乐旨构成一个乐句。若干个乐句组成一个主题。
Two or three motifs make up a phrase, and in turn, several of these make up a theme.
其旋法特点是节奏基本相同，而各乐句的旋律音调、落音不同。
The melodic characteristics lie in the identical rhythm and different tunes and falls of notes.
它与纸上乐谱的结构相对应：音符构成乐句，乐句构成声部，声部构成乐谱。
It mirrors the construction of musical scores on paper: Notes make up a phrase, phrases make up a part, and parts make up a score.
装饰乐句，花式吹奏：一段炫耀或讲究仪式的音乐，例如小号曲。
每一乐句通常都是轻声地开始和结束的，而句子的中间音量比较强。
A musical phrase generally starts and ends with softer notes, with the louder ones in between;
演奏此曲既能考验演奏者的技巧天分，也能衡量其演绎长乐句的能力。
Performing IMAGE can proof the performer's playing talent, and also test their ability of tackling the long sentences.
思想留在现在，这是说不要去考虑你刚刚犯了的错误，或者马上来的难点乐句。
Stay in real-time. That is, don't think about any mistakes you may have made in the music, or any difficult passages coming up.
它的乐句长短不同，并且频繁的从2/4拍转到3/4拍从而保持了节奏的灵活性。
Its phrases vary in length, and it is given rhythmic suppleness by shifting frequently from 3/4 to 2/4 metre.
它的乐句长短不同，并且频繁的从2/4拍转到3/4拍从而保持了节奏的灵活性。
Its phrases vary in length, and it is given rhythmic suppleness by shifting frequently from 3/4 to 2/4 metre.
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