路易斯·阿姆斯特演奏的乐句有多长呢。
还是很难听出，这里面的旋律或者乐句。
It's hard to know again what the melody is or what the phrase is here.
乐句一句与一句之间是逐层的改变。
可以说是开启一切，我们可以把它当做先行乐句。
It sort of opens things up, and we refer to this as the antecedent phrase.
连线表示这个乐句的弧线；
而且mod包可以对乐句进行转换，如置换或者换向。
Also, the mod package lets you perform transformations on phrases, such as transposing or inverting.
但是也许在我们认识音乐的句法之前，我们需要先弄清这些乐句是什么？
But maybe even before we can recognize the syntax of music, we have to figure out what a phrase is.
接下来我们可以，弄得更复杂一些，同时让许多乐句单独进行。
Then we can take this and turn it into something a lot more complex with -singing a lot of lines going their own way.
每两个或三个乐旨构成一个乐句。若干个乐句组成一个主题。
Two or three motifs make up a phrase, and in turn, several of these make up a theme.
其旋法特点是节奏基本相同，而各乐句的旋律音调、落音不同。
The melodic characteristics lie in the identical rhythm and different tunes and falls of notes.
它与纸上乐谱的结构相对应：音符构成乐句，乐句构成声部，声部构成乐谱。
It mirrors the construction of musical scores on paper: Notes make up a phrase, phrases make up a part, and parts make up a score.
装饰乐句，花式吹奏：一段炫耀或讲究仪式的音乐，例如小号曲。
每一乐句通常都是轻声地开始和结束的，而句子的中间音量比较强。
A musical phrase generally starts and ends with softer notes, with the louder ones in between;
演奏此曲既能考验演奏者的技巧天分，也能衡量其演绎长乐句的能力。
Performing IMAGE can proof the performer's playing talent, and also test their ability of tackling the long sentences.
思想留在现在，这是说不要去考虑你刚刚犯了的错误，或者马上来的难点乐句。
Stay in real-time. That is, don't think about any mistakes you may have made in the music, or any difficult passages coming up.
它的乐句长短不同，并且频繁的从2/4拍转到3/4拍从而保持了节奏的灵活性。
Its phrases vary in length, and it is given rhythmic suppleness by shifting frequently from 3/4 to 2/4 metre.
就如我们曾经提到的，音乐具有语法，这些乐句必须，以特有方式排列，才有意义。
And, as we said before, music has a syntax so that these phrases have to be in a — arranged in a particular way that makes sense.
并强调了由汉语特点形成的文学上的对偶句式影响下的音乐句式结构而最终形成的。
It also emphasized the structure of the lines formed under the influence of the parallelism in literary compositions which is characteristic of the Chinese language.
音符不是简单的装饰，每一个音符和乐句都有精确的含义，变化多端，就像说话一样。
The notes weren't simply chosen as ornamentation. Every note and every phrase has a precise meaning, and it varies enormously, as in a conversation.
音乐也是一种语言，由句法构成，而句法，你们知道的，就是乐句组合，以及这些乐句的组合顺序。
Music is a language and it is made up of a syntax, and syntax, you know, consists of phrases and the order in which those phrases occur.
你也许会发觉，例如在一条弦上快速去拉奏乐句是很容易，但在多条弦上拉奏却是不可能的。
You may notice, for instance, that playing fast repeated notes is easy on one string, but impossible on multiple strings.
这其中的道理有些类似于音乐中某些模仿自然声音的乐句，比如流水声，风声，鸟儿的叫声。
The truth in it is similar to the imitation of musical phrases, such as the sounds of water, wind and bird in the natural sounds.
我告诉他，如果我可以改编和弦的话，就可以在第二弦上演奏乐句，这样可以更动听、更温暖。
I told him that if I could invert the chord, it would allow playing the phrases on the second string, which would be much more beautiful and warm.
钢琴演奏的歌唱性，就是指使每个圆润的持续音符相互连接，形成具有明确倾向性的乐句的表现形式。
Piano recital means the interconnection of every mellow note to form a phrase with a clear preference for expression.
第三乐句常常引入新材料、新乐思，以便有意地造成对比、反差的效果，从而使音乐获得一种新动力；
The third line usually brought in new material and a new musical tone to create a deliberate contrast and effect, thereby giving the music a new momentum.
但是这位挪威作曲家，却拥有着特殊的才能，即使在单一乐句与和弦行进的局限下，也能将细腻的情感浓缩到乐曲当中。
Yet the Norwegian was, above all, a master of the miniature with a particular ability to convey emotional subtlety within the confines of a single phrase or chord progression.
但是这位挪威作曲家，却拥有着特殊的才能，即使在单一乐句与和弦行进的局限下，也能将细腻的情感浓缩到乐曲当中。
Yet the Norwegian was, above all, a master of the miniature with a particular ability to convey emotional subtlety within the confines of a single phrase or chord progression.
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