Although drama translation is a part of literary translation, it has its own properties because of the requirement of performability.
戏剧翻译虽然是文学翻译的一部分，但是由于戏剧翻译要应用于舞台表演，所以有其自身的特点。
Before 1985 Bassnett following the research of theatre semiotics holds that performability should be a prerequisite for theatre translator.
1985年之前她受到戏剧符号学研究的影响，重新审视戏剧翻译，认为戏剧翻译的评价标准是“可表演性”。
Due to the dual nature of drama, translators are faced with a dilemma: whether to emphasize the literariness of drama, or to ensure its performability.
戏剧的二元性使译者面临一个两难的困境：究竟是要突出戏剧的文学性，还是要保证其可表演性?此外，如何评价戏剧译文也是一个棘手的问题。
Due to the dual nature of drama, translators are faced with a dilemma: whether to emphasize the literariness of drama, or to ensure its performability.
戏剧的二元性使译者面临一个两难的困境：究竟是要突出戏剧的文学性，还是要保证其可表演性?此外，如何评价戏剧译文也是一个棘手的问题。
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