Throughout his career, Oshima remained a provocateur and iconoclast.
终其整个职业生涯，大岛渚始终是一位煽动者和反偶像崇拜者。
Against this turbulent background, Oshima made his first films, which already, in their focus on delinquent youth, gave voice to the tensions in Japanese society.
大岛渚在这种动荡的背景下完成了其第一批影片，这些作品已经通过对青少年犯罪者的聚焦，表现出了日本社会内部的紧张状态。
Donald Richie has suggested that a more direct influence is that of expressionist theatre - before becoming a film-maker, Oshima belonged to a troupe that staged expressionist plays.
唐纳德·里奇(Donald Richie)曾提出表现主义戏剧对大岛渚的影响更加直接：在从事电影创作之前，大岛渚供职于一个上演表现主义戏剧的剧团。
Oshima himself is still living, albeit in poor health, but it is a decade since the release of his last film, Gohatto (1999), which itself was his first fiction feature since the mid-1980s.
尽管身体不好，但大岛渚仍然在世，不过距离他上一次发行新片《御法度》(Gohatto, 1999)已有十年之久了，而那部影片本身也是二十世纪八十年代中期之后，大岛渚的第一部剧情长片。
The paper outlines the outfitting work at Oshima Shipbuilding CO. LTD and the inspiration to SDARI.
本文介绍了日本大岛造船厂舾装设计的具体做法。
The richness of Oshima 's work , however , lies in its ability to fuse alienation with involvement .
然而，大岛渚作品的丰富性还在于其将离间与涉入加以融合的能力。
The richness of Oshima 's work , however , lies in its ability to fuse alienation with involvement .
然而，大岛渚作品的丰富性还在于其将离间与涉入加以融合的能力。
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