像往常一样，许多制筝人来到山东向我们展示了各种各样的风筝。
As usual, many kite makers came to Shandong and showed us all kinds of kites.
你哪只眼睛见我给左筝抖气了？
潮州筝就是其中的一大流派。
《乡韵》作为一首陕西筝曲，由周煜国先生作曲。
The rhyme as a Zheng music of Shaanxi Province, Mr Zhou Yuguo composition.
此外，该部分还对传统筝乐的传播方式进行了研究、探讨。
Moreover, the spread pattern of traditional Zheng Music was studied.
《渔舟唱晚》，是本世纪流传较广、影响较大的筝独奏曲。
The Fishermen Sing in the Evening became widely popular and influential as a zheng solo piece in the 20th century.
华盛顿筝乐团创建于2000年，是一个非盈利的音乐团体。
The Washington Guzheng Society was founded in 2000 by a group of Guzheng musicians and enthusiasts.
筝的声音就是那些沉浸在人们心底的声音，那些源于自然之音。
Tones of the Sou are tones that have been soaked up from people's hearts and those from Nature.
在南山上，我们可以捉迷藏，并且我们在平地上还可以放飞筝。
On South Hill, we can play hide-and-seek and we also fly kites on the flat land.
当本杰明·富兰克林在暴风雨中放筝时，在线上的东西给了他一个惊吓。
When Benjamin Franklin flew a like in the storm, something in the wire gave him a fright.
筝曲《柳青娘》则是“潮州筝乐”中主要的也是变体最多的传统曲目之一。
Meanwhile, the Chinese Zheng music, Liuqingniang, is one of traditional repertoires with the most variations among the Chaozhou Zheng music.
要想取得比赛的优胜，应使放风筝的线筝与地面成85- 90度的夹角。
Competition winners should fly their kites so the string makes an 85-90 degree Angle with the ground.
听水流觞，弦筝凝唱，繁花印染了江南水乡，抚琴一首，漫情谣，声声碾碎旧断桥。
Listen to the rivers, condensate string Zheng sing, printing and dyeing flowers of Jiangnan, had a song, the ballad sound diffuse, crushing the old bridge.
普遍的说法，认为筝在春秋、战国时期就广泛流传，至今已有2500多年的历史。
It is generally believed that zither became popular as early as 2500 years ago in Spring and Autumn Period.
筝调实践所反映出来的两个侧重，印证了中国宫调理论中“调系”与“均系”的并存。
Meanwhile, the two systems are reflected in the process of practice of Zheng tones, which prove the existence of Diaosheng and Yungong system in the Chinese Gongdiao theory.
本曲之运用了古筝三重奏的编配形式，1、2、3、筝分别演奏旋律、和声、节奏低音。
Trio of Guzheng are performed in the piece, 1, 2, 3, Zhengs are playing separately the melody, harmony, rhythm bass.
“筝协奏曲”，不仅打自己的乐器，而且还有助于重踏，叹息和手拍打，有时在东仪器模仿。
In the "Zheng Concerto" the players are not only playing their own instruments, but also contributing stomps, yips, yells sighs and hand-slaps, sometimes in imitation of Eastern instruments.
浙江筝曲《高山流水》（改编版）是一首在中国筝曲中流传很广，并且具有一定代表性的乐曲。
Zhejiang Zheng song "High Mountain and Flowing Water" (revised version)spreads far and wide through the Chinese Guzheng musics and is also a piece of fairly typical music.
第一章分为三节——《越南筝简史》、《越南筝在社会上的地位》和《越南筝的形制和表演形式》。
The chapter one divides into 3 sections: "The history of Vietnam's zheng", "Vietnam'szheng in society status" and "Vietnam zheng's form and performance".
作品在演奏技巧上，涉及一些难度较大的陕西筝派演奏技巧，对演奏者表现能力与演奏技术要求较高。
Work on the playing techniques, involve some difficult zither playing techniques in Shaanxi Province, on the player's performance capabilities and performance of high technical requirements.
在第二章中，笔者从题材、演奏技法和传统筝曲的调式音阶三个方面就传统古筝艺术的表现形式进行论述。
In chapter two, three aspects of the Zheng art including the theme, playing techniques and the traditional tonal form and scale are presented.
现存日本古典音乐中，存在一种横跨筝曲、地歌、尺八乐三类的所谓“三曲”或者叫“三曲合奏”的演奏形式。
There was a special performance manner that called sankiyouku or sankiyokugasso in Japanese folk music existent, which means ensemble of koto, jiuta and shakuhachi.
我国各地的筝艺术和各地具有地域特色的文化传统、风俗民情、方言语音及其它民间音乐有着血肉联系，并各自保持了鲜明的特点。
The Zheng art from different areas in China has been heavily influenced by its respective local culture, tradition, custom, sentiment, dialect and other forms of folk music.
他经常举行古怪的音乐会，让一些疯狂的吉卜赛人在小筝上演奏粗犷的音乐，或是让一些面容庄严，戴黄头巾的突尼斯人拨弄绷紧的琵琶弦。
He used to give curious concerts in which mad gypsies tore wild music from little zithers, or grave, yellow-showed tunisians plucked at the strained strings of monstrous lutes.
吴莉在此曲中首创了「左手叠擦」演奏技术，2002在北京首演后引起很大轰动，旋即入选中国筝曲经典、2003年在欧洲首演，获得极高评价。
When she made a debut in Beiling in 2002, it created a big sensation and was later collected in the "Classics of Chinese Guzheng Music". Her debut in Europe in 2003 was also spoken highly of.
筝的外形看起来和琴有几分相似，实际上完全不同， 琴有七根弦，而筝弦的数目却并不固定，但通常是十三根弦， 并且所有弦都有音柱支撑。
There are only a few passed on from ancient times. Zheng and Qin resemble in looks, but in fact they are completely different. Qin has seven strings, while Zheng has unfixed number of strings.
筝的外形看起来和琴有几分相似，实际上完全不同， 琴有七根弦，而筝弦的数目却并不固定，但通常是十三根弦， 并且所有弦都有音柱支撑。
There are only a few passed on from ancient times. Zheng and Qin resemble in looks, but in fact they are completely different. Qin has seven strings, while Zheng has unfixed number of strings.
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