论文提出了当前美学的沉寂与泛化现象。
It points out the problem of aesthetics silence and permeation.
其次比对枚乘《七发》与傅毅《七激》的创作背景与创作内容，解答“七”体写作二百年沉寂这一奇特现象。
And secondly, to interpret the phenomenon that absence of Qi-style writing in two centuries through comparing the writing backgrounds and contexts between Qifa by Mei Sheng and Qiji by Fu Yi.
其次比对枚乘《七发》与傅毅《七激》的创作背景与创作内容，解答“七”体写作二百年沉寂这一奇特现象。
And secondly, to interpret the phenomenon that absence of Qi-style writing in two centuries through comparing the writing backgrounds and contexts between Qifa by Mei Sheng and Qiji by Fu Yi.
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