论文提出了当前美学的沉寂与泛化现象。
It points out the problem of aesthetics silence and permeation.
其次比对枚乘《七发》与傅毅《七激》的创作背景与创作内容，解答“七”体写作二百年沉寂这一奇特现象。
And secondly, to interpret the phenomenon that absence of Qi-style writing in two centuries through comparing the writing backgrounds and contexts between Qifa by Mei Sheng and Qiji by Fu Yi.
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