主要从四个方面展开:叙事视角的安排,有故事性的圆形结构,交错而跳跃的叙事时空,叙事意象的选择。
There are four key points: the arrangement of point of view, there is narrative circular structure, interveined and leaping narrative space and time, the choice of narrative images.
以《钟情丽集》为考察中心,可总结出明代中篇传奇小说在叙事时空、诗词插附和意象叙事以及叙事制度等方面的基本叙事技法和策略。
The paper, with reference to the sample of Zhongqingliji, studies the general workmanship and devices covering space-time, verse infix, imagery, and the system of narration.
她把自己融入画面,任由意念在流逝的时光中潆洄,沉积为肌理与色彩的微妙变化,这变化最终蕴集为一个意象的时空。
With herself being an element of the painting, her will crosses time, embodied by the subtle change in lines and colors. The change finally makes a space for an image.
意境即是无意识主体用意象构建的虚拟时空,主体陶醉其间,从而获得美的享受,可以说它是无意识中的白日梦。
Artistic conception is the virtual space-time constructed the from images by subconscious subject; the subject gets intoxicated and appreciates the beauty, can say it is daydreaming in unconscious.
《静静的顿河》的艺术时空有着独特的处理方法,表现在时间的主观游戏和意象空间的建构上。
In Quiet Don, the author Sholokhov deals with the time space of art in a distinct way, which is displayed by his subjective play with the time and the construction of image space.
石以其神,抽象岁月,汇聚了时间,一物之中兼具写意时空、聚合时空的意象特性。
The microfilm space; Shi to the God, abstract years, brought together the time, a matter of both freehand space-time, polymerization properties of space-time image.
石以其神,抽象岁月,汇聚了时间,一物之中兼具写意时空、聚合时空的意象特性。
The microfilm space; Shi to the God, abstract years, brought together the time, a matter of both freehand space-time, polymerization properties of space-time image.
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