这幅是阿尔弗雷德•施蒂格利茨拍摄的照片《雄心之城》。
This is a photograph by Alfred Stieglitz, City of Ambition.【1】
托宾担心当交易成本下降时，速度太快会造成市场的不稳定，施蒂格利茨说。
Tobin worried that too much efficiency would create instability in the markets as transaction costs fell, said Stiglitz.
这些衣服是他的好友兼同事约瑟夫·施蒂格利茨的，他在来访时留在这儿了，所以阿科洛夫急着给邮走。
The clothes belonged to his friend and colleague Joseph Stiglitz, who had left them behind when visiting, so Akerlof was eager to send the box off.
因此，这些银行或许更易做出风险投资，如同肯尼斯·阿罗(1972)和约瑟夫·施蒂格利茨(2001)提出的道德风险的这个概念。
As a consequence, these Banks may be more likely to make risky investments, a concept described by Kenneth Arrow (1972) and Joseph Stiglitz (2001) as moral hazard.
那个朋友把奥基夫的木炭画展示给施蒂格利茨看，他非常喜欢她的画，并且把它们展示在自己的艺术美术馆里，并命名为291。
That friend showed O'Keeffe's charcoal drawings to Stieglitz. Stieglitz liked her drawings enough to show them in his art gallery, called 291.
1902年，阿尔弗雷德·施蒂格利茨、爱德华·施泰肯和一些当今甚受敬重的美国摄影大师组织了一个团体，致力于让人们相信摄影是一种高尚的艺术表达方式。
In 1902, Alfred Stieglitz, Edward Steichen and other now venerated American photographers formed a group devoted to convincing doubters that photography was a worthy form of artistic expression_r.
最近的理论性经济学家排名中，两位杰出的驳斥者，约瑟夫·斯蒂格利茨（Joseph Stiglitz）和安德烈·施莱弗（AndreiShleifer）排名榜首。
A recent ranking of academic economists was topped by Joseph Stiglitz and Andrei Shleifer, two prominent hole-pokers.
这个比喻暗示了幻觉和现代生活带来的亢奋。施蒂格·利茨的摄影同样也捉住了这种强烈的愿望。
The metaphor suggests ecstasy, the exaltation of modern life, that aspiration imaged in Stieglitz too.
这个比喻暗示了幻觉和现代生活带来的亢奋。施蒂格·利茨的摄影同样也捉住了这种强烈的愿望。
The metaphor suggests ecstasy, the exaltation of modern life, that aspiration imaged in Stieglitz too.
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