并总结周作人忧患意识的个体特征。
And summarize the individual character of Zhou Zuoren 's suffering consciousness.
周作人对希腊文化表现出极大的热情。
反讽，是周作人散文中一种独特的诗学命题。
The irony is one of especial prose theory in Zhou Zuoren prose.
周作人是我国日本文学研究的开拓者、奠基人。
ZHOU Zuo-ren is a pioneer and founder of studies on Japanese literature in China.
鲁迅与周作人的新诗创作有共性，但异质性更为明显。
Lu Xun and Zhou Zuoren s new poem creation have the generality, but the heterogeneity is more obvious.
周作人则是北大教授和“五四”新文化运动的精神导师。
Zhou Zuoren is Beijing University professor and May Fourth New Culture Movement's spiritual mentor.
在《人的文学》一文中，周作人的个性主义已初露端倪。
And the article indicated that the view of literature was based on his view of the human nature.
也就是说，周作人的散文远远没有得到它所应得到的地位。
So we may say Zhou Zuoren has not won the reputation that he should have bee…
后期周作人强调儒家思想与生活主义，这也是他道德实践的根因。
During the latter period Zhou strengthens the Confucians and the life which are the sound reasons in the moral practices.
第二部分按照周作人“人的文学”观所呈现出的直观特征归纳梳理。
The second part I combs according to the direct-viewing characteristic which Zhou Zuoren "the literature of man" view presents.
周作人是中国现代文学史上公认的散文大师，亦是颇负争议的人物。
Zhou Zuoren is prose master who in the Chinese modern history of literature recognizes, also is quite the negative dispute character.
轮回作为无意识的命运，是难以改变的，由此产生了周作人的悲观。
As an unconscious destiny, transmigration is unchangeable, on which Zhou Zuoren's pessimism forms.
冲淡美不但被我国传统美学所青睐，更是周作人散文的一个重要特色。
The plain aestheticism is not only favored by Chinese traditional aesthetics but also an important characteristic of Zhou Zuoren s prose.
周作人对民间歌谣研究的倡导以及搜集整理，就是一个比较典型的例子。
Zhou Zuoren, who actively collected and studied Ballads, is a typical example.
文章的概念在周作人那里更正式也更亲切，是传统文章观念的现代转化。
The work which is more formal and friendly in Zhou's world is modern transition of traditional work idea.
两个鬼”是周作人对自身矛盾性的一种概括，亦是人们对他的普遍认识。
Two ghosts" is the generalization made by Zhou Zuoren of self-contradictoriness, and is also the universal recognition of him."
周作人是中国新文学理论的奠基人，同时又是中国现代民俗学的拓荒者。
Zhou Zuoren is not only the founder of Chinese new literature, but also the pioneer of modem folklore.
书话体散文是周作人追寻已久的生命文体，是他心中真正自由的个性散文。
Prose in remarking on books is the style that Zhou Zuoren had pursued all his life. In his eyes, it is the genuinely free prose with personality.
80年代以后虽然经历了一场周作人研究热潮，但也犹如流星般一滑而过。
Although there was an upsurge of the investigation about Zhou Zuoren after the 1980's, it slipped quickly like a meteor.
第三部分以西方人学特征为参照，对周作人的“人的文学”观具体分析阐释。
The third part take the western person study characteristic as the reference, to explain Zhou Zuoren's "the literature of man" view.
周作人翻译思想中的“儿童本位”观是中国现代文学翻译史上重要的精神财富。
Children's standard in Zhou Zuoren's thoughts on translation should be regarded as a valuable wealth in modern literary translation history.
周作人王以铸译：《日本古代随笔选》。北京：人民文学出版社，1998年。
Zhou Zuoren and Wang Yizhu. trans. Collection of Japanese Ancient Essays. Beijing: People 's Literature Publishing House, 1998.
鉴于周作人和巴金译本所引起的截然不同的反响，本文将着重探讨其差异的原因。
In view of Zhou Zuoren and Ba Jin's translation and the different repercussions caused, this article continues to explore the reasons of the differences.
周作人与中国现代儿童文学有着重要的渊源，尤其与儿童诗歌有着千丝万缕的关系。
Zhou Zuoren is one of important writers in contemporary Chinese children literature and he is particularly famous for his children poems.
与希腊文学一样，周作人对希腊文化的接受，也是从社会需要与个人趣味两个层面展开。
Like to Greek literature, Zhou Zuoren's acceptance to Greek culture, is also beginning from two levels, namely, personal interest and society demands.
在理论上对“人”探讨最多的是周作人，他第一个旗帜鲜明地提出了“人的文学”口号。
Zhou Zuoren had the most articles on the "person" in theory. He was the first person made the slogan of "the literature of man ".
周作人散文平和冲淡风格形成的原因和传统文学中平和冲淡风格形成的原因有质的不同。
There are qualitative differences between the causes of Zhou Zuoren proses gentle plain style and those of traditional literature.
周作人的谈鬼在经历了三个阶段后，由得出的悲观结论转向了“闭户读书”和小品文写作。
After three stages of talking about ghosts, Zhou became disheartened and turned to closed-door reading and writing.
周作人的谈鬼在经历了三个阶段后，由得出的悲观结论转向了“闭户读书”和小品文写作。
After three stages of talking about ghosts, Zhou became disheartened and turned to closed-door reading and writing.
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