冲淡美不但被我国传统美学所青睐,更是周作人散文的一个重要特色。
The plain aestheticism is not only favored by Chinese traditional aesthetics but also an important characteristic of Zhou Zuoren s prose.
周作人是中国新文学理论的奠基人,同时又是中国现代民俗学的拓荒者。
Zhou Zuoren is not only the founder of Chinese new literature, but also the pioneer of modem folklore.
书话体散文是周作人追寻已久的生命文体,是他心中真正自由的个性散文。
Prose in remarking on books is the style that Zhou Zuoren had pursued all his life. In his eyes, it is the genuinely free prose with personality.
周作人翻译思想中的“儿童本位”观是中国现代文学翻译史上重要的精神财富。
Children's standard in Zhou Zuoren's thoughts on translation should be regarded as a valuable wealth in modern literary translation history.
并总结周作人忧患意识的个体特征。
And summarize the individual character of Zhou Zuoren 's suffering consciousness.
周作人对希腊文化表现出极大的热情。
周作人是我国日本文学研究的开拓者、奠基人。
ZHOU Zuo-ren is a pioneer and founder of studies on Japanese literature in China.
鲁迅与周作人的新诗创作有共性,但异质性更为明显。
Lu Xun and Zhou Zuoren s new poem creation have the generality, but the heterogeneity is more obvious.
周作人对民间歌谣研究的倡导以及搜集整理,就是一个比较典型的例子。
Zhou Zuoren, who actively collected and studied Ballads, is a typical example.
80年代以后虽然经历了一场周作人研究热潮,但也犹如流星般一滑而过。
Although there was an upsurge of the investigation about Zhou Zuoren after the 1980's, it slipped quickly like a meteor.
周作人王以铸译:《日本古代随笔选》。北京:人民文学出版社,1998年。
Zhou Zuoren and Wang Yizhu. trans. Collection of Japanese Ancient Essays. Beijing: People 's Literature Publishing House, 1998.
鉴于周作人和巴金译本所引起的截然不同的反响,本文将着重探讨其差异的原因。
In view of Zhou Zuoren and Ba Jin's translation and the different repercussions caused, this article continues to explore the reasons of the differences.
周作人散文平和冲淡风格形成的原因和传统文学中平和冲淡风格形成的原因有质的不同。
There are qualitative differences between the causes of Zhou Zuoren proses gentle plain style and those of traditional literature.
本文认为国民性思考作为这一时代的重大主题,它在周作人的思想中同样占有了很大的分量。
This paper argues that the national thinking, as a major theme of this century, also occupies a great deal of weight in Zhou's thought.
基于对语言形式自身审美价值的关注,周作人对现代散文语言的理论思索是颇为独特而深刻的。
Zhou Zuoren, who pays much attention to the language style and it's beauty, shows unique and profound theory on modern prose.
文章拟分析周作人在“五四”“新村时期”对社会现状,主要是现实人间关系所做出的基本论断。
This article analyzes Zhou Zuoren's judgment of realistic human relation in New District Period.
影响周作人创作中的童心意识表现的外在原因主要是三方面的:金色的童年、古希腊神话和日本文化。
As for Zhou Zuoren, external reason have three aspects mainly: golden childhood, Greek mythology, and Japan civilization.
周作人“个人表现”的文学本质观并不是与人生的疏隔,而是以独特的艺术的角度使文学与人生相通。
Zhou-zuoren"s conception of personal showing is not estrangement to life but in relation to life by art angle."
周作人是最早将它介绍到中国来的,早在1909年,他就将其列入了兄弟俩合译的《域外小说集》中。
Zhou Zuoren is the first to introduce it to China, and as early as 1909, he put it in the extraterritorial collection of stories.
近年来文体理论研究的新进展及新成果的出现,为周作人散文文体的研究提供了新的的思路和理论依据。
However, in recent years great progress has been made in style theory research, which provides the new ideas and foundations for zhou 's prose style research.
周作人的美文《故乡的野菜》,不但在其自己的创作生涯中,乃至中国现代散文史上,都是一个里程碑式的篇章。
The Potherb of hometown by Zhou Zuoren is a milestone not only in his writing career but also on the Chinese modern essays history.
文章从周作人对歌谣研究的理论阐述、其征集歌谣的实践、社会影响及意义等方面,对周作人的歌谣研究进行了评述。
The article reviews Zhou Zuoren's achievements in ballads studies from his theory-construction, practice of collecting ballads and social influence.
究其原因,周作人的散文理念是相当博杂多源的,而博杂中却又贯穿着统一的指向,概而言之这一指向即散文抒写的真实简明。
The reason is that Zhou's ideas are complicated, but are permeated by unified direction, which, in a word, is honesty and compactness in style.
究其原因,周作人的散文理念是相当博杂多源的,而博杂中却又贯穿着统一的指向,概而言之这一指向即散文抒写的真实简明。
The reason is that Zhou's ideas are complicated, but are permeated by unified direction, which, in a word, is honesty and compactness in style.
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