桑切兹·阿尔瓦拉多说：“自亚里士多德时代起我们就已经知道蝾螈的再生能力，但是，直到现在，也就是本周，一篇论文获得发表，才告诉我们什么是细胞动力学。
“We’ve known about this since Aristotelian times, and it’s only now, this week, that a paper gets published telling us what the cellular dynamics are,” said Sánchez Alvarado.
桑切兹·阿尔瓦拉多说：“自亚里士多德时代起我们就已经知道蝾螈的再生能力，但是，直到现在，也就是本周，一篇论文获得发表，才告诉我们什么是细胞动力学。
“We’ve known about this since Aristotelian times, and it’s only now, this week, that a paper gets published telling us what the cellular dynamics are, ” said Sánchez Alvarado.
与许多工业国家为遏制温室气体排放而建造的大型可再生能源项目相比，这些微型项目虽然很小，但却发挥着划时代的、彻底的变革作用。
Although dwarfed by the big renewable energy projects that many industrialized countries are embracing to rein in greenhouse gas emissions, these tiny systems are playing an epic, transformative role.
从化石燃料转向可再生能源，无疑是我们这个时代最重要的工程挑战和科学挑战。
Moving away from fossil fuels to renewable energy is surely the most important engineering and scientific challenge of our age.
作为一个国家，我们觉得我们是建立再生能源时代道路上的先锋。
As a country, we think that we can become pioneers on the way to create an age of renewable energy.
不过和工业时代的大规模再生产不同，这些复制品不仅便宜，而且免费。
Unlike the mass-produced reproductions of the machine age, these copies are not just cheap, they are free.
应对石油时代的终结，阿伯丁重新定位，寄希望与可再生能源和旅游业。
As it prepares for the end of oil, Aberdeen is remaking itself, putting its hopes in renewable energy and tourism.
其中有些乐观者认为石油时代的结束是转换到一种干净、可再生的燃料的机会。
The optimists among us see the end of the oil era as an opportunity to switch to a clean, renewable fuel.
这种视觉符号语言再生的传统，往往是一种符号和形式，它的内涵多半已随时代的变迁而流逝。
The traditional reborn of the visual symbolic language is usually a sign or a form, whose connotation often lost its meaning with the time going.
经典改编是不同时期的作家对经典进行的文化再生产活动，体现着不同时代的文化诉求。
Classics adaptation is the cultural reproduction on the classics by the writers in different times, and manifests the cultural demand in different times.
在14 ~17世纪的文艺复兴时代，西欧不仅实现了文化上的“再生”，而且还发现了“人与自然”两个世界。
In the 14 ~ 17th centuries of the Renaissance, Western Europe not only realized the Renaissance of culture but also found two worlds of human and nature.
《爸爸》季刊日本版的出版商清水先生说道：“我们已经不再生活在男主外，女主内的时代了。”
"We're no longer living in an era when it's expected that men go out and women stay home," said Tomohiro Shimizu, publisher of FQ Japan, which stands for Father's Quarterly.
《爸爸》季刊日本版的出版商清水先生说道：“我们已经不再生活在男主外，女主内的时代了。”
"We're no longer living in an era when it's expected that men go out and women stay home," said Tomohiro Shimizu, publisher of FQ Japan, which stands for Father's Quarterly.
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