现在我们再回头来想想伽达默尔。
请记住，并不是这样，伽达默尔认为。
这就是伽达默尔在说“存在“时的所指
这其实才是伽达默尔美学思想的核心。
但是对伽达默尔和他的传统，这有些不同。
But f or Gadamer and his tradition, it's a little different.
第二章的主要内容是赫施对伽达默尔的批判。
The second part discusses a scholar criticized Gadamer's theory.
伽达默尔认为文本是与解释者平等的对话者。
“传统”是伽达默尔诠释学中一个重要的概念。
伽达默尔愿意牺牲，因为他相信先入之见不可避免。
Gadamer is willing to sacrifice because of his belief in the inescapability of preconception.
伽达默尔对它略有歉意，并且他借助了一下语源学。
Gadamer is a bit apologetic about it, and he goes into the appropriate etymologies.
同时，伽达默尔反对历史主义因为他说，人们做不到。
In the meantime, Gadamer is objecting to this because he says, you simply can't do this.
伽达默尔从理解的角度出发，赋予了存在一个崭新的内涵。
From the perspective of Gendarme, he has given a new connotation to the being.
在批判主体论美学的基础上，伽达默尔提出了艺术作品本体论。
By criticizing the subjective aesthetics, Gadamer proposes the ontology of artistic works.
伽达默尔的解释学的普遍性主要体现在他的理解观和语言观中。
The embodiments of the Universality of Gadamer's hermeneutics are mainly in his view of understanding and view of language.
论文从历史、重构、意义三个方面进一步讨论伽达默尔的游戏概念。
Discusses the play concept by Gadamer from the aspects of history, reconstruction and significance.
我会再讲一遍，现在说可能有点早，伽达默尔认为历史主义有些不道德。
I'll say again, somewhat in advance perhaps of the time I should say it, that Gadamer thinks that there's something immoral about historicism.
通过对审美的瞬间的分析，可以揭示伽达默尔解释学美学的时间意识。
This paper analyses the aesthetic moment - event and disputes the consciousness of time of Gadamer's hermeneutical aesthetics.
第二章阐明了伽达默尔效果历史意识与黑格尔“综合”辩证法的关系。
The second part discusses the relation between Gadamer's effective-historical consciousness and Hegel's integration dialectic.
本文借助伽达默尔“理解的历史性”原则，重新审视翻译中的误读现象。
In the light of Gadamer's principle of "historical interpretation", this paper reconsiders phenomenon of misunderstanding in translation.
伽达默尔的解释理论既是对海德格尔的观点忠实继承又是创造性地发挥。
Gadamer's hermeneutics theory was faithful inheritance and creative development of Heidegger's views.
伽达默尔是德国著名哲学家，他的思想对当代西方哲学界发生了巨大的影响。
Gadamer is a famous German philosopher, whose thought influences current western philosophy greatly.
伽达默尔对游戏问题极其关注，并在《真理与方法》一书中引入了游戏概念。
Gadamer concerns on problem of play very much, and introduces the concept of play into "Truth and Method".
伽达默尔认为历史主义忘记了，我们会从过去性和他性中学到一些东西的可能性。
Gadamer believes that historicism forgets the possibility of being taught something by past-ness or otherness.
现在我们要看的第一篇文章是伽达默尔写的，在第735页最下面，一直到736页。
Now the first passage is in Gadamer's text on page 735, the very bottom of the page, and then I'll be going over to page 736.
伽达默尔主要通过分析黑格尔和赫尔姆·霍茨的理论，阐释了教化概念的丰富内涵。
Gadamer elucidated the abundant connotation of Bildung mainly through analyzing the theory of Hegel and Helmholtz.
但在西方现代美学中，维特根斯坦和伽达默尔分别创制了语言游戏和艺术游戏的概念。
However, Wittgenstein and Gadamer respectively created the notion of "language-game" and "art-game" in western modern aesthetics.
伽达默尔认为，客观性这个概念中隐含着，放弃了从对象中学习，从相异性中学习的可能。
Implicit, according to Gadamer, in the notion of objectivity is an abandonment of the possibility of learning from the object, of learning from otherness.
伽达默尔认为，客观性这个概念中隐含着，放弃了从对象中学习，从相异性中学习的可能。
Implicit, according to Gadamer, in the notion of objectivity is an abandonment of the possibility of learning from the object, of learning from otherness.
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