Once you have seen the little gray man mooning through the window, you kind of get the point, and the film makes his ribaldry contagious.
After one pioneering executive died, his successor didn't just set out to protect a legacy, he wore the dead man's gray suits, telling people that the outfits shouldn't go to waste.
We stopped and looked down the street toward the gray frame house designated as the place where the man lived.
The old man was heavy and gray-haired, with eyes narrowed and mouth slightly open, as if he were asthmatic, but he was smiling as well as he could.
In the middle, a white man with gray hair and a mustache, wearing a blue suit, white shirt and rep tie, stands with his hands in his pants pockets and looks pensive.
The beard, now flecked with gray, frames not pursed lips but the tentative smile of a man still learning about optimism.
He would have to go faster if he expected to reach the man before he disappeared into the gray frame house, the designated house.
At the scene a man with a big forehead, gray hair, a flat nose, and a few missing teeth lay on the sidewalk, next to a stack of books and an empty coffee-cup.
There was something different about the face of this man, a big forehead, gray hair, a flat nose, a few missing teeth, and small desperate eyes.
The still photographer, Ed Woodley, a nervous little man with wispy gray hair, puts it even better.
The doctor was a tall but stooped man in his seventies, with a gray goatee and black horn-rimmed glasses.
His six-man chalk was a quarter of a row, separated off by the gray vinyl screens.
With him was another man, also in a black peasant's smock and the dark gray trousers that were almost a uniform in that province, wearing rope-soled shoes and with a carbine slung over his back.
Mr. Gray's family members and friends said he wasn't the kind of young man to carry a gun and questioned the police account of the shooting.
This was the case on the morning of March 30th, when a tall Australian man named Julian Paul Assange, with gray eyes and a mop of silver-white hair, arrived to rent the place.
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