This kind of microscopic punched card reader and writer, is achieving fantastic data densities.
She is also an avid reader and writer, particularly of personal essays.
The takeaway for content producers across the board is that giving readers a clear stake in a topic aligns reader and writer interests.
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When something inexplicable happens in the transfer from writer to reader, and the piece, despite its imperfections, rattles and moves the reader.
Good writing creates a dialogue between writer and reader, with the imagined reader at moments questioning, criticizing, and sometimes, you hope, assenting.
WSJ: Word Craft: Tracy Kidder and Richard Todd on Good Prose
Their literary choices created trust between writer and reader, an intellectual and emotional closeness that is one of the accidental and unexpected gifts of grief.
This model allows the online publishing of thousands of items a week that in most cases are accessed through social media and other connections between writer and reader.
Different editions still had textual variations, introduced either intentionally as revisions or inadvertently through sloppy editing or typesetting, but books still came to be viewed, by writer and reader alike, as immutable objects.
As both a writer and a reader, Coppa said she appreciates the freedom fan fiction offers.
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Anything that can't be pronounced stops the verbal music, makes the reader stumble and marks the writer as a nitwit.
What else would need to be part of that offering to make it compelling to you (As a reader as well as a writer)?
It's one thing for the reader to take pleasure in the writer's achievements, another when the writer's own pleasure is apparent.
WSJ: Word Craft: Tracy Kidder and Richard Todd on Good Prose
Generally the answer to the question is no, and is a means for the writer to grab the reader's attention and then proceed to irritate them.
Such a notion could not produce a strong effect had the writer not prepared the reader with lucid, logical and vivid prose that conveys psychological truth.
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Someone who has reached the age of eighteen or twenty and has never been a reader is not going to become a writer in fifteen weeks.
The typical genre writer keeps rhetorical flourishes to a minimum, and the typical reader is content to let him.
Sometimes the writer who overloads an opening passage is simply afraid of boring the reader.
WSJ: Word Craft: Tracy Kidder and Richard Todd on Good Prose
For a lay reader, corporate taxation can be pretty overwhelming stuff, but Marty is a terrific writer and makes the story as accessible as possible.
The writer works in service of story and idea and always in service of the reader.
WSJ: Word Craft: Tracy Kidder and Richard Todd on Good Prose
Of course the reader needs a reason to continue, but the best reason is simply confidence that the writer is going some place interesting.
WSJ: Word Craft: Tracy Kidder and Richard Todd on Good Prose
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