赛珍珠在其1931年的小说《大地》中对农村家庭的描写，因其坦率而广受攻击。
Buck's account of a farming family in "The Good Earth" was widely attacked for its frankness when it came out in 1931.
斯普林指出，尽管赛珍珠最著名的小说《大地》至今仍在出版，但这位作家其实已被忘记。
Spurling points out that, although Buck's most famous novel, the Good Earth, is still in print, the author is' virtually forgotten.
赛珍珠亲自见证了旧中国的生育文化，并在《大地》三部曲中作了丰富多样的描绘。
Buck witnessed the reproductive culture in old China, which was vividly described in her the Good Earth trilogy.
赛珍珠亲自见证了旧中国的生育文化，并在《大地》三部曲中作了丰富多样的描绘。
Pearl S. Buck witnessed the reproductive culture in old China, which was vividly described in her the Good Earth trilogy.
作家赛珍珠特殊的人生经历，她的自卑情结，是其创作《大地》的重要动因。
Buck, her inferiority and superiority complex serves as one of the important factors of her creation of the Good Earth.
作为第一个获得诺贝尔文学奖的美国女作家，赛珍珠的《大地》三部曲影响深远。
This thesis analyzes The House of Earth Trilogy from the perspective of the differences and similarities of Chinese culture and American culture reflected.
《大地》三部曲描写了随着时代的变化，中国妇女在解放道路上所取得的进步和她们自身思想的变化历程，反映了赛珍珠的中国妇女现。
The Good Earth Trilogy reflects Buck's view of Chinese women, and describes the Chinese women's progresses and the changes in themselves with time on their way towards liberation.
本文将依据儒家思想中三组重要的关系来探讨赛珍珠《大地三部曲》中的儒学思想。
This thesis aims at exploring Confucianism in her masterpiece, The House of Earth trilogy.
中美合作的电影《庭院里的女人》是继《大地》之后改编赛珍珠小说的第二部成功之作。
The film Pavilion of Women produced with the joint efforts by Chinese and American artists is another success after The Good Earth.
论文努力用一种独特的视角来审视赛珍珠的《大地》三部曲这部小说，从主题内容与艺术风格两个大的方面对它进行了探讨。
The thesis probe into Pearls Buck's trilogy this novel, and survey two big aspects from the topic contents and art style by particular visual Angle.
赛珍珠《大地》蕴含丰富的土地意象。
赛珍珠《大地》蕴含丰富的土地意象。
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