问题的关键在于我们如何在现代语境下解读并应用传统文化符号。
The main problem is how do we understand and express our traditional culture symbol under the modern society.
从而提出自己对悲剧精神在后现代语境下超越的可能性的一些看法。
Bring forward self to some view of tragedy spirit possibility exceeding under modern language boundary in the day after tomorrow thereby.
基于后现代语境下的公共雕塑“它者”的出场，雕塑语言正在使个性化的语言被消解。
With the appearance of of public sculpture, the distinctive language of sculpture are disappearing.
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