波蒙娜一下跳了起来，火冒三丈，命令他离开果园。
Pomona jumped up, furious, and ordered him out of the orchard.
同样的方法是否也适用于二十世纪的抽象作品呢？从蒙德里安的几何色块，到波洛克在画布上喷溅颜料看似随意的布局？
Could the same approach also shed light on abstract twentieth-century pieces, from Mondrian's geometrical blocks of colour, to Pollock's seemingly haphazard arrangements of splashed paint on canvas?
作为“波西米亚”艺术家及作家的聚居地，格林威治村是罗莎蒙德·杜朵继续其艺术事业的理想之地，却并不是抚养孩子的好地方。
A gathering place of "Bohemian" artists and writers, Greenwich Village was the ideal place for Rosamond Tudor to pursue her career as an artist; however, it was not the ideal place to raise a child.
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